Kohei Tanaka's ' "歌舞伎座前のダンディ団" was released on its scheduled release date, June 19, 2002. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in サクラ大戦第四期ボイスドラマシリーズ オリジナルサウンドトラック, so we believe that "歌舞伎座前のダンディ団" is a single. 歌舞伎座前のダンディ団 is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of 歌舞伎座前のダンディ団 by Kohei Tanaka is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The One Year War | Wilbert Roget, II | B♭ Minor | 1 | 3A | 83 BPM | ||
| 火事場の底力 | Kohei Tanaka | A Minor | 3 | 8A | 114 BPM | ||
| The Very, Very, Very, Strongest | Melodic Immersion | G Major | 5 | 9B | 97 BPM | ||
| Demon Slaying Corps | Alex Dillard | E Minor | 3 | 9A | 60 BPM | ||
| Godzilla-1.0 Resolution | Naoki Sato | E Minor | 1 | 9A | 65 BPM | ||
| 名もなきファラオ(Re-arranged) | 光宗信吉 | D♭ Major | 4 | 3B | 148 BPM | ||
| 不屈の麦わら海賊団 | 浜口史郎 | C Major | 3 | 8B | 144 BPM | ||
| 反逆のデュエル | Koutarou Nakagawa | B Minor | 7 | 10A | 127 BPM | ||
| Rurouni Kenshin Epic Fight Scene | Kosta Ost | E Minor | 9 | 9A | 160 BPM | ||
| ブラッディ・パーティー - instrumental | ビッグ・マム(小山茉美) | A Major | 3 | 11B | 99 BPM | ||
| Powerful Enemy Encounter | Keiji Inai | C Major | 7 | 8B | 151 BPM | ||
| Resolve | 照井順政 | A Minor | 9 | 8A | 94 BPM | ||
| Good Fight in Struggle | ササキオサム | C Major | 1 | 8B | 75 BPM | ||
| 炎柱・煉獄杏寿郎 | 椎名豪 | C Minor | 5 | 5A | 180 BPM | ||
| Outside Road | Koutarou Nakagawa | D Minor | 5 | 7A | 127 BPM | ||
| Lurking | Akira Senju | B♭ Major | 8 | 6B | 119 BPM | ||
| 連撃~碧羅の天~列車横転 | 椎名豪 | C Major | 8 | 8B | 96 BPM | ||
| Monster | Makoto Miyazaki | G Major | 9 | 9B | 117 BPM | ||
| Run Percival Run | KOHTA YAMAMOTO | D Minor | 3 | 7A | 57 BPM | ||
| 巨大ロボ現る!! | Kohei Tanaka | D Major | 8 | 10B | 138 BPM | ||
| 水の呼吸~干天の慈雨へ -OST ver.- | 椎名豪 | F Minor | 8 | 4A | 105 BPM | ||
| We Are! | Taken, Kohei Tanaka, Dikers | G Minor | 10 | 6A | 168 BPM | ||
| To The Grand Line "One Piece" | Marthes | G Major | 1 | 9B | 51 BPM | ||
| On The Precipice of Defeat (Orchestra Remix) (From "Bleach: Thousand Year Blood War") | Dude's Cover | A Major | 6 | 11B | 112 BPM | ||
| 互いを信じ、それぞれの道へ | 浜口史郎 | C Major | 3 | 8B | 144 BPM |