Delius: Brigg Fair "An English Rhapsody": Variation XV by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra Song Details

"Delius: Brigg Fair "An English Rhapsody": Variation XV" by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra had its release date on February 7, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 88 in the song's album "Sir Thomas Beecham: The English Collection". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Delius: Brigg Fair "An English Rhapsody": Variation XV's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Delius: Brigg Fair "An English Rhapsody": Variation XV by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.

Music Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -16.492 dB
Acousticness: 88%
Danceability: 16%
Energy: 12%
Instrumentalness: 92%
Liveness: 14%
Loudness: 73%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
2 Pieces for Small Orchestra, RT VI/19: No. 1, On Hearing the First Cuckoo in Spring	Frederick Delius, John Rutter, Manchester Camerata	E Minor	1	9A	80 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]	Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz	A Minor	0	8A	104 BPM
Delius: 2 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra)	Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields	B♭ Major	4	6B	113 BPM
Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen)	Robert Schumann, Lucerne Festival Strings, Daniel Dodds	B Major	1	1B	113 BPM
Stille Musik: III. Augenblicke der Serenade	Valentin Silvestrov	C Major	0	8B	86 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	130 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Brook Green Suite, H. 190: I. Prelude. Allegretto	Gustav Holst, Richard Hickox, City of London Sinfonia	C Major	1	8B	100 BPM
Estancia, Op. 8a: II. Danza del trigo	Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons	C Major	0	8B	87 BPM
Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante	Sergei Rachmaninoff, Vladimir Ashkenazy, Royal Concertgebouw Orchestra, Bernard Haitink	A Major	0	11B	69 BPM
Brook Green Suite: I. Prelude	Gustav Holst, English Sinfonia, Howard Griffiths	D♭ Major	0	3B	66 BPM
Mercure, Scene 1: La nuit	Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach	C Major	0	8B	139 BPM
The Holy Boy	John Ireland, Richard Hickox, London Symphony Orchestra	G Minor	0	6A	101 BPM
L'Arlésienne Suite No. 2 (Arr. Guiraud): III. Menuet	Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit	E♭ Major	0	5B	128 BPM
Phantasy Quintet: III. Alla Sarabanda: Lento	Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet	E♭ Minor	10	2A	123 BPM
Nocturnes n°7 en mi majeur	Francis Poulenc, Alexandre Tharaud	E♭ Major	1	5B	87 BPM
Adoration (Version for Solo Violin and String Orchestra)	Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester	D Major	1	10B	80 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
Come, Sweet Death, BWV 478 (Arr. for 5 Cellos)	Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi	C Major	0	8B	122 BPM
Liebestraum No. 3 in A-Flat Major, S. 541 / 3	Franz Liszt, Lang Lang	A♭ Major	0	4B	137 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato	Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim	E♭ Major	0	5B	56 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645)	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	E♭ Major	0	5B	84 BPM
Bach: Adagio (After Violin Concerto No. 2, BWV 1042)	Johann Sebastian Bach, Gabriela Montero	F♯ Minor	0	11A	73 BPM