Peggy Lee's ' "Back In Your Own Back Yard" was released on its scheduled release date, March 31, 1958. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Back In Your Own Back Yard's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peggy Lee's "Jump For Joy" album is number 2 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, Back In Your Own Back Yard's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Back In Your Own Back Yard by Peggy Lee to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Why Don't We Try Staying Home? | Susannah McCorkle | F♯ Major | 0 | 2B | 104 BPM | ||
| C'est Magnifique - Remastered | Kay Starr | F♯ Minor | 4 | 11A | 155 BPM | ||
| I Guess I'll Have To Change My Plans | Annie Ross, Gerry Mulligan Quartet | F Minor | 3 | 4A | 116 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Pass It on | Julius LaRosa | C Major | 4 | 8B | 171 BPM | ||
| Give Me The Simple Life | Lorez Alexandria | C Major | 1 | 8B | 62 BPM | ||
| The Loneliest Girl | Martha Perez | G Major | 3 | 9B | 66 BPM | ||
| It Might as Well Be Spring | Caity Gyorgy, Kyle Pogline | C Major | 5 | 8B | 100 BPM | ||
| Keep Me In Mind | Benny Goodman, Peggy Lee | C Major | 1 | 8B | 90 BPM | ||
| I Can Dream, Can't I | Ruth Brown | G Major | 3 | 9B | 106 BPM | ||
| People Will Say We’re in Love | Carmen McRae | G Major | 3 | 9B | 66 BPM | ||
| You For Me | Blossom Dearie | G Major | 2 | 9B | 138 BPM | ||
| Falling In Love With Love | Helen Merrill | D Minor | 2 | 7A | 144 BPM | ||
| All Of Me | Jimmy Dorsey & His Orchestra | D Minor | 1 | 7A | 100 BPM | ||
| I Love Being Here With You | Ernestine Anderson | D♭ Major | 2 | 3B | 123 BPM | ||
| Try a Little Tenderness | Jimmy Durante | D♭ Major | 2 | 3B | 110 BPM | ||
| As Long As I'm In Your Arms | Dinah Washington | G Major | 5 | 9B | 124 BPM | ||
| How Long Has This Been Going On? | Chris Connor | G Major | 3 | 9B | 66 BPM | ||
| Manhattan | Annie Ross | D Major | 1 | 10B | 122 BPM | ||
| What's Right For You | Irene Kral | B♭ Minor | 4 | 3A | 63 BPM | ||
| Road To Bali: To See You Is To Love You | Bob Hope | G Minor | 3 | 6A | 94 BPM | ||
| The Other Half of Me | Bobby Darin | C Minor | 1 | 5A | 66 BPM | ||
| Teach Me Tonight | Dinah Washington | F Minor | 2 | 4A | 73 BPM | ||
| Alright, Okay, You Win | Peggy Lee | C Major | 3 | 8B | 138 BPM | ||
| Night And Day | Billie Holiday | A♭ Major | 2 | 4B | 97 BPM |