"Sixes and Seventeens" by Codes In The Clouds had its release date on October 11, 2019. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 2 out of 7 in Codes in the Clouds by Codes In The Clouds. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Sixes and Seventeens's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sixes and Seventeens by Codes In The Clouds is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Is... | The Best Pessimist | E♭ Major | 6 | 5B | 150 BPM | ||
| I Know You Are but What Am I? | Mogwai | A Major | 4 | 11B | 126 BPM | ||
| Moksha | Caspian | B Major | 5 | 1B | 77 BPM | ||
| Soft Clouds | Nali Oro | D♭ Minor | 4 | 12A | 96 BPM | ||
| Abell 1835 | LIGHTS OUT ASIA | D Minor | 2 | 7A | 115 BPM | ||
| Watching the Storm | U137 | B Major | 4 | 1B | 100 BPM | ||
| Communion | Codes In The Clouds | G Major | 1 | 9B | 58 BPM | ||
| There Is Hope Here | A Dancing Beggar | D Major | 3 | 10B | 110 BPM | ||
| Bright | Stafrænn Hákon | D Major | 4 | 10B | 120 BPM | ||
| Looking at the World Through a Window | From Overseas | E Major | 1 | 12B | 101 BPM | ||
| All Things Transient | Maybeshewill | F♯ Minor | 8 | 11A | 155 BPM | ||
| Shores | Heron | E Major | 5 | 12B | 126 BPM | ||
| Halls of the Summer | Caspian | A Major | 10 | 11B | 145 BPM | ||
| Sanctuary | Maybeshewill | D Major | 8 | 10B | 146 BPM | ||
| Nearly Saw a Light | Flies Are Spies From Hell | B♭ Major | 5 | 6B | 96 BPM | ||
| Radio Protector | 65daysofstatic | G Major | 9 | 9B | 175 BPM | ||
| The Dawn and the Embrace | When the Clouds | C Major | 4 | 8B | 110 BPM | ||
| Gusts of Wind Blowing in Different Directions | The Last Dinosaur | F♯ Major | 0 | 2B | 93 BPM | ||
| A Different Take | Codes In The Clouds | G Major | 5 | 9B | 160 BPM | ||
| Hypersleep | 65daysofstatic | F♯ Minor | 3 | 11A | 81 BPM | ||
| The Distance Between Us - The Echelon Effect Remix | Codes In The Clouds, The Echelon Effect | B Major | 6 | 1B | 116 BPM | ||
| Quiet | This Will Destroy You | D♭ Major | 5 | 3B | 115 BPM | ||
| Standby, Sir | Signal Hill | G Major | 7 | 9B | 138 BPM | ||
| Be the Light | Stray Theories | D Major | 2 | 10B | 173 BPM | ||
| Gone in Bloom and Bough | Caspian | A Major | 6 | 11B | 123 BPM |