Ronn Moss's 'Until I Get It Right' had a release date set for March 1, 2000. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ronn Moss's "I'm Your Man" album is number 7 out of 12. On top of that, Netherlands appears to be the country where this track was created. Until I Get It Right is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Until I Get It Right by Ronn Moss to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It Sure Took A Long, Long Time - Live | Lobo | F Major | 10 | 7B | 128 BPM | ||
| Follows | Los Cuervos | B Major | 7 | 1B | 129 BPM | ||
| Jewel & Johnny | The Orchestra | A Major | 8 | 11B | 175 BPM | ||
| Even The Pain | Richard Page | G Major | 4 | 9B | 160 BPM | ||
| Wonderful Day | Jason Scheff | F Major | 5 | 7B | 97 BPM | ||
| Mama Told Ya | Big Horizon | D Major | 6 | 10B | 138 BPM | ||
| Jupiter | Peter Cox | E Minor | 5 | 9A | 94 BPM | ||
| Let's Pretend We're Still In Love | Glenn Frey | G Major | 5 | 9B | 118 BPM | ||
| Distant Shores | David Soul | B♭ Major | 1 | 6B | 128 BPM | ||
| Ready to Let Go | Boulevard | F♯ Major | 7 | 2B | 91 BPM | ||
| Drive | Ronn Moss | D♭ Major | 5 | 3B | 154 BPM | ||
| Who's Afraid | Roger Hodgson | D Minor | 5 | 7A | 130 BPM | ||
| The World And You Tonight | Simply Red | B♭ Minor | 5 | 3A | 175 BPM | ||
| Gone in the Rain | Phil Carmen | C Major | 5 | 8B | 140 BPM | ||
| Contrary | Clifford T. Ward | G Major | 5 | 9B | 104 BPM | ||
| Fear of Flying | Quint Starkie | G Major | 5 | 9B | 100 BPM | ||
| Suburbia | The Outfield | C Major | 3 | 8B | 161 BPM | ||
| How Did I Get By Without You? | John Waite | G Major | 6 | 9B | 88 BPM | ||
| Show Me Yours | Ronn Moss | G Major | 9 | 9B | 118 BPM | ||
| Eye in the Sky | Pilot | B Minor | 5 | 10A | 112 BPM | ||
| Welcome to Hollywood | Gerry Rafferty | B♭ Major | 6 | 6B | 116 BPM | ||
| Walls Of Sound | Tony Banks | C Major | 5 | 8B | 109 BPM | ||
| Friend To The End | Henley J King | F♯ Major | 5 | 2B | 160 BPM | ||
| Dear Dream | Gilbert O'Sullivan | C Major | 4 | 8B | 105 BPM | ||
| A Dream So Strong | David Knopfler | F Major | 4 | 7B | 136 BPM |