On December 5, 2022, the song "Balam Mhare Kone Re Bas Ki Baat" was released by Rekha Rao, Rekha Raj. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rekha Rao, Rekha Raj's "Ghoomar (Vol. 3)" album is number 25 out of 28. On top of that, South Africa appears to be the country where this track was created. Based on our statistics, Balam Mhare Kone Re Bas Ki Baat's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Balam Mhare Kone Re Bas Ki Baat by Rekha Rao, Rekha Raj to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Yadi Nath Ka Naam Dayanidhi Hai | Devendra Pathak | F♯ Minor | 6 | 11A | 151 BPM | ||
| Veer Hanumana Ati Balwana | Gyanendra Sharma | A♭ Major | 7 | 4B | 114 BPM | ||
| Gora Gora Gaal Thare | Parmeshwar Premi, Rekha Rao | G Major | 6 | 9B | 170 BPM | ||
| Vari Jau Re - Original | Sugan Bucheti, Twinkle Vaishnav, NA | A Major | 7 | 11B | 141 BPM | ||
| Ganpati Aaj Padhro Shree Ramji Ki Dhun Main | Sunil Sharma | F♯ Minor | 7 | 11A | 145 BPM | ||
| Naina Me Nind Gurji Aai Ab Pohdo Mara Antryami Ji | Gokul Sharma | F Major | 9 | 7B | 100 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Thake Ghadi Aaj Kaandhe Pe | Pt. Ram Avtar Sharma, Rekha Rao | G Minor | 6 | 6A | 100 BPM | ||
| Hole Hole Chale - Fera | Veena | A♭ Minor | 7 | 1A | 162 BPM | ||
| Aarti Man Mein Bsakar Teri Murti | Aniruddhacharya Ji Maharaj | B♭ Minor | 7 | 3A | 139 BPM | ||
| Main Bhole Ka Deewana | Kishan Bhagat | F Major | 7 | 7B | 81 BPM | ||
| Dal Baadli Ro Paani | Rekha Rao, Parmeshwar Premi | D♭ Minor | 9 | 12A | 164 BPM | ||
| Bajarang Bala Japu Thari Mala | Pradeep Parul Ji | A Major | 8 | 11B | 107 BPM | ||
| Sharda Maiya Tero Jhulna | Pooja Golhani | G Major | 7 | 9B | 100 BPM | ||
| Ye Baba To Mera Rakhwala Hai | Rajni Rajasthani | F Minor | 8 | 4A | 81 BPM | ||
| Teri Mand Mand Muskan Pe | Devendra Pathak | E Major | 3 | 12B | 100 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Main Toh Aarti Utaru Re Santoshi Mata Ki | Amjad Nadeem, Rani Indrani Sharma | D Major | 6 | 10B | 176 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM | ||
| Lagan Tumse Laga Baithe | Shekhar Jaiswal | C Major | 8 | 8B | 105 BPM | ||
| Nadiya Ro Neer Sawra | Chotu Singh Rawna | B♭ Major | 8 | 6B | 75 BPM | ||
| Nain Tere Maa Naina Devi | Karnail Rana | B♭ Minor | 9 | 3A | 140 BPM |