On April 30, 1994, the song "Le Lo Khajoor" was released by Parveen Saba. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Pyar Mohabbat Hone Do". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Le Lo Khajoor is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Le Lo Khajoor by Parveen Saba having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hai Re Mor Jaan Tor Nam | That Nagpuri | B Major | 9 | 1B | 66 BPM | ||
| Tumse O Haseena | Mohammad Salamat, Sadhana Sargam | D Major | 6 | 10B | 96 BPM | ||
| Kue Ka Thanda Pani | Devi | D♭ Major | 6 | 3B | 130 BPM | ||
| Dard Se Tadpoo Pardesi | Arshad Kamli, Naim Sabri | F Minor | 6 | 4A | 90 BPM | ||
| Salanya Band | Narendra Singh Negi, Madhulika Negi | B♭ Minor | 8 | 3A | 60 BPM | ||
| Amar Mera Suhaag Rahe | Sadhana Sargam | A Major | 8 | 11B | 80 BPM | ||
| Milne Se Pehle | Udit Narayan, Preeti Singh | A♭ Major | 5 | 4B | 91 BPM | ||
| Main Hoon Sharaabi | Attaullah Khan | F♯ Major | 7 | 2B | 91 BPM | ||
| Hum Gaad Dehab Lal Jhanda | Parveen Saba, Mujtaba Aziz Naza, Durga-Natraj, Vinay Bihari | D Minor | 8 | 7A | 101 BPM | ||
| Piye Ja Piye Ja Piye Ja | Parveen Saba | F Major | 2 | 7B | 104 BPM | ||
| Zindagi Jaisi Ek Haseen Shay KO | Altaf Raja | D♭ Minor | 6 | 12A | 151 BPM | ||
| Paara Paara Na Kar | Sukhwinder Singh | B Minor | 9 | 10A | 106 BPM | ||
| Dam Dam Diga Diga | Parveen Saba | E Minor | 6 | 9A | 135 BPM | ||
| Teri Ankhe Hai Madhushala - Bhojpuri Song | Narendra Sagar | E Minor | 8 | 9A | 154 BPM | ||
| Doori Na Rahe Koi - Jhankar Beats | Lata Mangeshkar, Hero And King Of Jhankar Studio | D♭ Major | 9 | 3B | 110 BPM | ||
| Ajnabi | Abhijeet, Laxmikant–Pyarelal | F♯ Minor | 6 | 11A | 108 BPM | ||
| Lekha Lekha Te | Santhali Diwana | B♭ Minor | 7 | 3A | 84 BPM | ||
| Hum Tum Yug Yug Se | Sanjay, Sadhana Sargam | G Minor | 6 | 6A | 102 BPM | ||
| Mohabbat To Anmol Hai | Attaullah Khan | D♭ Minor | 8 | 12A | 154 BPM | ||
| Aaye Hain Laaye Hain | Kumar Sonik, Parveen Saba, Omi | F Minor | 8 | 4A | 129 BPM | ||
| Teri Kripa Se Jo | Sanju Sharma | A♭ Major | 8 | 4B | 112 BPM | ||
| Ketna Phone pe Baat Kari | Udit Narayan, Prith Mujumdar | G Minor | 10 | 6A | 150 BPM | ||
| Hai Jindagi Kitani Khubsurat | Kumar Satyamm | A♭ Major | 9 | 4B | 117 BPM | ||
| Jane Kyon Log Mohabbat | Maratab Ali | G Major | 5 | 9B | 135 BPM | ||
| Rim Jhim Rim Jhim | Kumar Sanu, Alka Yagnik | F Major | 2 | 7B | 120 BPM |