"Line" by Dan Tepfer, Ben Wendel had its release date on March 12, 2013. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Small Constructions". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Line is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Line by Dan Tepfer, Ben Wendel having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chant | John Raymond, Dan Tepfer, Joe Martin, Billy Hart | A♭ Major | 2 | 4B | 99 BPM | ||
| Surprise-Party | Maya Badian | B♭ Minor | 4 | 3A | 132 BPM | ||
| Trek | MR. OBNX | A Minor | 0 | 8A | 100 BPM | ||
| Spring | Palle Mikkelborg | C Major | 1 | 8B | 78 BPM | ||
| Música callada I: No. 2, Lent | Federico Mompou, Stephen Hough | E Minor | 0 | 9A | 86 BPM | ||
| 24 Jazz Preludes, Op. 53: No. 16, Andantino | Nikolai Kapustin, Ophelia Gordon | A♭ Major | 3 | 4B | 96 BPM | ||
| Canon At The Octave / Metricmod | Dan Tepfer | C Minor | 2 | 5A | 122 BPM | ||
| Apocalypso | George Schuller Trio, Dan Tepfer, Jeremy Stratton | D♭ Major | 2 | 3B | 154 BPM | ||
| Improvisation 21 / sevenths | Dan Tepfer | B♭ Minor | 3 | 3A | 84 BPM | ||
| Ode To Bach | Tia Fuller, Shamie Royston, Fuller Sound | C Major | 1 | 8B | 78 BPM | ||
| Late Night Whispers | NAISKOx | C Major | 1 | 8B | 78 BPM | ||
| Llorando se fue | Baptiste Herbin, Minino Garay, Felipe Cabrera, Leonardo Montana | E♭ Major | 4 | 5B | 96 BPM | ||
| Venezia Waltz | Simon Tilery | A♭ Minor | 0 | 1A | 131 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48 (Arr. for Piano by Peter Breiner): III. Elegia. Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| A Little Love Goes A Long Way | Joel Ross | C Major | 1 | 8B | 78 BPM | ||
| Concertino für Tuba und Klavier: II. Langsam | Joseph Bartz, Hans Tönnies | D♭ Major | 0 | 3B | 115 BPM | ||
| In Motion, Part II | Marcin Wasilewski Trio | D Minor | 1 | 7A | 90 BPM | ||
| Koma | Skúli Sverrisson, Óskar Guðjónsson | A Major | 0 | 11B | 94 BPM | ||
| Preludes, Book I: No. 12, Minstrels - Duo-Art 5669 | Claude Debussy, George Copeland, Peter Phillips | F Major | 1 | 7B | 73 BPM | ||
| Reflexions, Episode 3 | Tomasz Trzcinski | E Minor | 1 | 9A | 75 BPM | ||
| French Suite No. 5 In G Major, BWV 816: I. Allemande | Johann Sebastian Bach, Julien Libeer | D Major | 1 | 10B | 127 BPM | ||
| Vertiginous Maker | Matthew Hawke | D♭ Major | 3 | 3B | 143 BPM | ||
| II | Sam Leak, Dan Tepfer | C Minor | 2 | 5A | 100 BPM | ||
| New Blues | John Raymond, Dan Tepfer, Joe Martin, Billy Hart | A♭ Major | 3 | 4B | 120 BPM | ||
| Toccata in E Minor, BWV 914: I. no tempo - Un poco Allegro - Adagio | Johann Sebastian Bach, Francesco Tristano | G Major | 5 | 9B | 110 BPM |