"Other Side of Midnight" by The Great Divide had its release date on December 3, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Remain". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Other Side of Midnight is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Other Side of Midnight by The Great Divide having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Finger on the Trigger | Brandon Jenkins | C Major | 6 | 8B | 83 BPM | ||
| Red Dress | No Justice | F Major | 6 | 7B | 115 BPM | ||
| Telephone Romeo | Jason Boland & The Stragglers | A Major | 5 | 11B | 125 BPM | ||
| Me and the Whiskey | The Damn Quails | G Major | 5 | 9B | 124 BPM | ||
| Maybe Tonight | Paul Eason | G Major | 9 | 9B | 153 BPM | ||
| Clinger | Bo Phillips Band | E Major | 6 | 12B | 77 BPM | ||
| My Girl | John David Kent | G Major | 9 | 9B | 120 BPM | ||
| I Can Breathe Again | The Great Divide | D Major | 7 | 10B | 144 BPM | ||
| 100% Texan | Kevin Fowler | G Major | 8 | 9B | 145 BPM | ||
| One Chord Song | Stoney LaRue | D Major | 3 | 10B | 94 BPM | ||
| Under the Neons | Ryan Beaver | B♭ Major | 6 | 6B | 113 BPM | ||
| Red Dirt | Johnny Cooper | F Major | 5 | 7B | 140 BPM | ||
| Dog House Roses | Bart Crow | E♭ Major | 6 | 5B | 106 BPM | ||
| If I Ever Get Back to Oklahoma | Jason Boland & The Stragglers | A Major | 8 | 11B | 190 BPM | ||
| No Room for Mercy | Bleu Edmondson | E Major | 7 | 12B | 120 BPM | ||
| Love Is Crazy | Roger Creager | B♭ Major | 5 | 6B | 110 BPM | ||
| Comal County Blue | Jason Boland & The Stragglers | E Major | 5 | 12B | 134 BPM | ||
| Inbetweener | Cody Canada & The Departed | F Major | 8 | 7B | 120 BPM | ||
| Terrible Lies | Six Market Blvd. | A Minor | 7 | 8A | 82 BPM | ||
| Dandelion | Bart Crow | G Major | 9 | 9B | 154 BPM | ||
| Who I Want To Be | No Justice | G Major | 6 | 9B | 79 BPM | ||
| Spinning My Wheels | Dolly Shine | E Major | 7 | 12B | 116 BPM | ||
| Hey, Leigh | Thieving Birds | G Major | 8 | 9B | 144 BPM | ||
| Maybe In December | Lost Immigrants | G Major | 7 | 9B | 93 BPM | ||
| The Future Ain't What It Used to Be | Bleu Edmondson | F Major | 4 | 7B | 145 BPM |