"Shrine Hale" by Forest Swords had its release date on May 10, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Shrine (Original Dance Score)". In this album, this song's track order is #1. In terms of popularity, Shrine Hale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shrine Hale by Forest Swords having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Modern Propaganda | The Acid | G Major | 6 | 9B | 129 BPM | ||
| Silent Opera | Long Arm | E Minor | 5 | 9A | 79 BPM | ||
| With the Dark Hug of Time | Colin Stetson, Sarah Neufeld | F Major | 4 | 7B | 135 BPM | ||
| Fantas | Caterina Barbieri | A♭ Major | 6 | 4B | 147 BPM | ||
| Instrument | SUUNS | D♭ Minor | 4 | 12A | 90 BPM | ||
| Aokigahara Forest | IO Echo | G Major | 2 | 9B | 135 BPM | ||
| Message | Zamilska | A Major | 6 | 11B | 100 BPM | ||
| Won't Be a Thing to Become | Colin Stetson, Sarah Neufeld | C Major | 3 | 8B | 91 BPM | ||
| Weight | UMFANG | D♭ Major | 4 | 3B | 135 BPM | ||
| Something Akin to Lust | Telefon Tel Aviv | D Minor | 7 | 7A | 120 BPM | ||
| Endless <3 | Machinedrum | D♭ Minor | 5 | 12A | 170 BPM | ||
| Lead Squid | The Kilimanjaro Darkjazz Ensemble | F♯ Major | 3 | 2B | 160 BPM | ||
| Hatch the Plan | Andy Stott | D♭ Minor | 6 | 12A | 97 BPM | ||
| Blue September | trentemøller, Lisbet Fritze | G Major | 5 | 9B | 90 BPM | ||
| Hollow | Zamilska | G Major | 6 | 9B | 100 BPM | ||
| Acid Rain on Broken Rooftops | Ørdop Wolkenscheidt | G Minor | 4 | 6A | 126 BPM | ||
| Black Trees | Indian Wells | F♯ Major | 8 | 2B | 120 BPM | ||
| Lost Ways | Pye Corner Audio | E♭ Major | 6 | 5B | 90 BPM | ||
| Freak, Go Home | DARKSIDE | D♭ Major | 6 | 3B | 111 BPM | ||
| Nothing Changes | Dark Sky | D Major | 5 | 10B | 120 BPM | ||
| Marching | The Acid | F Minor | 5 | 4A | 112 BPM | ||
| 00:26 | Ólafur Arnalds, Nils Frahm | D Major | 2 | 10B | 115 BPM | ||
| Kyoto | SBTRKT | B♭ Major | 3 | 6B | 148 BPM | ||
| The Mirror Reflecting (Part 2) | The Haxan Cloak | D♭ Minor | 5 | 12A | 121 BPM | ||
| Whirlwound | Kelpe | E Minor | 6 | 9A | 73 BPM |