"The Aids Factor" by Nathan Lanier had its release date on December 11, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "The Music of Invisible Children". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, The Aids Factor's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Aids Factor by Nathan Lanier having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Get to the Point | Twisted Jukebox | B♭ Minor | 9 | 3A | 178 BPM | ||
| Last Moment | Christophe Filippi | C Minor | 3 | 5A | 170 BPM | ||
| Uncovered | Joseph William Morgan | G Major | 6 | 9B | 170 BPM | ||
| Strung Out | Travis Lake | D Major | 2 | 10B | 100 BPM | ||
| The Healer | Shiloh Rodriguez | G Major | 3 | 9B | 180 BPM | ||
| Mr. Sandman - Piano and Violin Version | SYML | A Minor | 2 | 8A | 96 BPM | ||
| Gravity | Steven Price | A♭ Minor | 3 | 1A | 93 BPM | ||
| Wicked Game | Ursine Vulpine, Annaca | E Major | 3 | 12B | 169 BPM | ||
| Time Lapse | Ludovico Einaudi | F Minor | 1 | 4A | 125 BPM | ||
| Time (From "Inception") | Hans Zimmer, Tina Guo, Gavin Greenaway, The Czech Philharmonic Orchestra | G Major | 2 | 9B | 63 BPM | ||
| New World Coming - Piano Rendition | The Blue Notes | F♯ Minor | 4 | 11A | 107 BPM | ||
| Symphony No. 5 (Epic Trailer Version) | Hidden Citizens | C Major | 6 | 8B | 92 BPM | ||
| Into the Maze | John Paesano, Pete Anthony, American Federation of Musicians | B♭ Major | 4 | 6B | 50 BPM | ||
| Akut Fight | Rupert Gregson-Williams | F Minor | 5 | 4A | 192 BPM | ||
| Story Of A March Day | Cédric Tour | B♭ Minor | 1 | 3A | 118 BPM | ||
| Afterlight | Eternal Eclipse | G Minor | 3 | 6A | 87 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| Arrivals and Departures | Nathan Lanier | F♯ Major | 2 | 2B | 144 BPM | ||
| Celestial melody | Sergey Ivanov | E Minor | 8 | 9A | 90 BPM | ||
| Endalaus II | Ólafur Arnalds | D♭ Major | 2 | 3B | 120 BPM | ||
| Nara (Theme to Cold Case) | E.S. Posthumus | A Minor | 4 | 8A | 150 BPM | ||
| Catching the Train | Rupert Gregson-Williams | D Minor | 4 | 7A | 180 BPM | ||
| Seasong 1 To 4 and Other Little Stories: Bitter and Sweet | Ezio Bosso, The Buxusconsort Strings Orchestra, Giacomo Agazzini, Claudia Ravetto | F Minor | 1 | 4A | 188 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| Who's There | Peter Sandberg | E Minor | 1 | 9A | 136 BPM |