On April 13, 1967, the song "España Cañí" was released by Cuadro Flamenco de el Palomar de Ricote. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Pasodobles de España". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Spain. Based on our statistics, España Cañí's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With España Cañí by Cuadro Flamenco de el Palomar de Ricote having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Repiqueteos Flamencos (Zapateado) | Escudero,, Paco Peña | D♭ Major | 3 | 3B | 111 BPM | ||
| Esperando el Porvenir | Joaquín El Zambo | B♭ Major | 2 | 6B | 134 BPM | ||
| Nocturno Flamenco | Antonio Martinez Cortés | A♭ Minor | 5 | 1A | 100 BPM | ||
| Bulería de la Raza Vieja - Bulería No. 3 | Fernando De La Morena, Moraíto | F♯ Minor | 6 | 11A | 116 BPM | ||
| Miel, Canela y Yerbagüena | Niño Josele | D Minor | 4 | 7A | 105 BPM | ||
| Batya’t Palupalo | Florante Aguilar | F♯ Major | 1 | 2B | 94 BPM | ||
| Cuando Salí de Cuba | Antonio de Lucena | A Major | 6 | 11B | 139 BPM | ||
| La Siesta | Adriano, Paulina | E Minor | 4 | 9A | 104 BPM | ||
| Pasodoble Te Quiero | Cuadro Flamenco de el Palomar de Ricote | B♭ Major | 7 | 6B | 123 BPM | ||
| Malagueña Sorda de Javi de Nerpio | Javier Gómez García, Viguela | F Major | 5 | 7B | 113 BPM | ||
| Cold Blood | Soleira | G Major | 5 | 9B | 133 BPM | ||
| Tarantos | Raúl Sierra | E Major | 1 | 12B | 95 BPM | ||
| El Oriental | Ricao | D♭ Minor | 5 | 12A | 131 BPM | ||
| Potpourri | El Niño Miguel | D♭ Minor | 8 | 12A | 108 BPM | ||
| Mezquita Cordobesa | Niño de Granada | G Major | 6 | 9B | 115 BPM | ||
| The Drive | Kota Suzuki, 内山 修作 | G Major | 6 | 9B | 116 BPM | ||
| Yaa Amponsah | Koo Nimo | E Minor | 9 | 9A | 119 BPM | ||
| Granaina: Sólo Guitarra | Victor M. Rosa | G Minor | 8 | 6A | 107 BPM | ||
| Arco de Piedra (Rondeña Flamenco) | Paco Cepero | A♭ Minor | 4 | 1A | 160 BPM | ||
| Kyabathe | Indialucia | F♯ Major | 7 | 2B | 123 BPM | ||
| Tarab in the Courtyard | Oud Reverb | E Minor | 6 | 9A | 200 BPM | ||
| Alma De Ciprés (Granaína) | Amir John Haddad – EL AMIR | F♯ Minor | 5 | 11A | 112 BPM | ||
| Everything Moves | Antoine Boyer | A Major | 5 | 11B | 152 BPM | ||
| Granada En Flor | Paco Peña, Flamenco Dance Company, Losadas | G Major | 6 | 9B | 189 BPM | ||
| Por Soleares (En Mi) | Niño Ricardo | G Major | 5 | 9B | 133 BPM |