"Oblivion" by Hyperion Ensemble had its release date on May 15, 1998. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hyperion Ensemble's "Livin' Tango" album is number 3 out of 13. On top of that, Germany appears to be the country where this track was created. Oblivion is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oblivion by Hyperion Ensemble to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 9 de julio | Quinteto Ángel | G Major | 3 | 9B | 112 BPM | ||
| Sanata | Amores Tangos | F Minor | 4 | 4A | 119 BPM | ||
| Loca | Solo Tango Orquesta | G Major | 5 | 9B | 122 BPM | ||
| Se dice de mi | Quinteto Pirincho | E Minor | 5 | 9A | 93 BPM | ||
| Hasta Siempre Amor | Orquesta Carlos di Sarli, Horacio Casares | D Minor | 4 | 7A | 61 BPM | ||
| La Cumparsita | Florindo Sassone Y Su Orquesta | G Minor | 2 | 6A | 113 BPM | ||
| Zorro Gris | La Tubatango | F♯ Minor | 5 | 11A | 148 BPM | ||
| Aquí y ahora | Fabio Hager Sexteto, Daniel Viacava, Pablo Araujo, Javier Waintraub, Damián González Gantes, Julián Arellano | D Minor | 7 | 7A | 116 BPM | ||
| Merceditas | Orquesta Típica "Osmar Maderna" | E Minor | 3 | 9A | 122 BPM | ||
| Canaro En París | Bandonegro | G Major | 4 | 9B | 140 BPM | ||
| Amor Y Celos | Orquesta Tipica Victor | E Major | 4 | 12B | 204 BPM | ||
| Tú!... el cielo y tú! | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| Caminito | Florindo Sassone Y Su Orquesta | G Major | 2 | 9B | 116 BPM | ||
| Felicia | La Juan D'Arienzo | D Minor | 4 | 7A | 140 BPM | ||
| Sinfonía de Arrabal | Edgardo Donato & his orchestra, Horacio Lagos | F Major | 4 | 7B | 136 BPM | ||
| Mi Serenata | Edgardo Donato & his orchestra, Horacio Lagos | D Major | 2 | 10B | 130 BPM | ||
| Pavadita | Sexteto Fantasma | C Major | 5 | 8B | 120 BPM | ||
| Duerme mi niña | Orquesta Rodolfo Biagi, Mario Canaro, Víctor Prestipino | A Minor | 3 | 8A | 120 BPM | ||
| Recuerdo | Roberto Alvarez, Estilo Para Bailar | F♯ Minor | 4 | 11A | 117 BPM | ||
| El Adios | Analia Goldberg | B Minor | 4 | 10A | 79 BPM | ||
| Buscandote | Orquesta Typica Osvaldo Fresedo, Ricardo Ruiz | D Major | 1 | 10B | 122 BPM | ||
| La Cumparsita | Pablo Ramos & los Herederos del Compás | G Minor | 3 | 6A | 132 BPM | ||
| Por que regresas tú | Orquesta Carlos di Sarli, Roberto Florio | A Major | 3 | 11B | 170 BPM | ||
| Remembranza | Ricardo Malerba | C Major | 3 | 8B | 120 BPM | ||
| Tus Labios Me Dirán | Pablo Valle Sexteto | C Major | 2 | 8B | 123 BPM |