"Second Return" by Ryuichi Sakamoto had its release date on December 12, 2007. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Second Return's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "SILK". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Japan. Based on our statistics, Second Return's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Second Return by Ryuichi Sakamoto having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 132 BPM | ||
| I Am Water | Masakatsu Takagi | F♯ Major | 1 | 2B | 80 BPM | ||
| Glassworks: I. Opening | Philip Glass, Philip Glass Ensemble, Michael Riesman | C Minor | 1 | 5A | 139 BPM | ||
| bagatelle no.2 | Teruyuki Nobuchika | D Major | 0 | 10B | 68 BPM | ||
| TWTGA | David Moore, Bing & Ruth | B♭ Major | 1 | 6B | 81 BPM | ||
| Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
| 東京日和 - Orchestra Version | Taeko Onuki, Ryuichi Sakamoto | A Major | 2 | 11B | 81 BPM | ||
| The Last One | Chicco Birds | B♭ Minor | 0 | 3A | 75 BPM | ||
| Rain Misses Everything | Roven Sil | D♭ Major | 5 | 3B | 164 BPM | ||
| 0318 | Fennesz, Ryuichi Sakamoto | A Minor | 1 | 8A | 55 BPM | ||
| Spiegel im spiegel | Arvo Pärt, Angèle Dubeau, La Pietà | F Major | 1 | 7B | 84 BPM | ||
| Adams: Hallelujah Junction: 1st Movement | John Adams, Nicolas Hodges, Rolf Hind | A♭ Major | 1 | 4B | 116 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Marginalia #62 | Masakatsu Takagi | B♭ Major | 2 | 6B | 94 BPM | ||
| A Catalogue of Afternoons | Max Richter | B Major | 1 | 1B | 206 BPM | ||
| Jeux D'Eau | Maurice Ravel, André Laplante | A Major | 1 | 11B | 128 BPM | ||
| Asa | Daigo Hanada, Yoko Komatsu | C Minor | 0 | 5A | 179 BPM | ||
| 水色の幻想 | Junichi Kamiyama | E♭ Major | 0 | 5B | 71 BPM | ||
| haru | Fennesz, Ryuichi Sakamoto | B♭ Minor | 1 | 3A | 72 BPM | ||
| By the Roes, and by the Hinds of the Field | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 2 | 4B | 181 BPM | ||
| Hoxa Sound | Erland Cooper | C Major | 2 | 8B | 86 BPM | ||
| Little Things | Gaspar Becerra | D♭ Major | 5 | 3B | 164 BPM | ||
| La vieille dance que personne ne sait dancer I - 踊り方がわからない古典舞曲 I | Umitaro Abe | D♭ Major | 5 | 3B | 164 BPM | ||
| コラール「古き年は過ぎ去りぬ」 BWV614 | Johann Sebastian Bach, Ryuichi Sakamoto | A Minor | 0 | 8A | 48 BPM | ||
| Bus | Keiichiro Shibuya | C Major | 0 | 8B | 81 BPM |