Manish Tiwari's 'Chota Sa Mandir Banayenge' had a release date set for September 21, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Shyam Ranglagyo". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Chota Sa Mandir Banayenge is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chota Sa Mandir Banayenge by Manish Tiwari having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Darshan Pyasi Bai Sugna - Original | Navratansinh Raval, Kushal Barath | F Minor | 9 | 4A | 83 BPM | ||
| Jyot Se Jyot Jagao Sadguru Aarti | Sant Shri Asharamji Bapu | F Minor | 4 | 4A | 138 BPM | ||
| Mera Bajarang Sote Wala | Manish Tiwari | D♭ Major | 5 | 3B | 93 BPM | ||
| Aao Gopal Taras Rahe Nain | Vinod Agarwal | E♭ Minor | 8 | 2A | 99 BPM | ||
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| Jahan Le Chaloge Wahan | Puran Shiva | C Minor | 9 | 5A | 127 BPM | ||
| Jake Gati Hai Hanuman | Rasraj Maharaj | F♯ Minor | 6 | 11A | 94 BPM | ||
| Ab Soup Diya Is | Satish Dehra | B♭ Minor | 8 | 3A | 79 BPM | ||
| Jai Jai Jai Jai Ganapati Deva | Sri Sathya Sai Bhajans | F♯ Major | 9 | 2B | 100 BPM | ||
| Vrindavan Pyaro Vrindavan | Govind Krsna Das | B Major | 7 | 1B | 104 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Sohang Ram Ram | Dhun | Santram Dhun | Hari cassettes | E♭ Minor | 8 | 2A | 80 BPM | ||
| Banke Bihari Aarti | Shridhay Shri Mridul krishna shastri ji maharaj | F♯ Major | 8 | 2B | 150 BPM | ||
| Khelat Basant Hori | Hita Ambrish | B Minor | 8 | 10A | 80 BPM | ||
| Mor Dabana La Khawade | Ratan Sabiha | F Major | 6 | 7B | 123 BPM | ||
| Akhanda Mandalakaram | Prem Prakash Dubey | E♭ Major | 2 | 5B | 78 BPM | ||
| Aathwa Adhyay | Maaruti Mohataa | E♭ Major | 6 | 5B | 108 BPM | ||
| Gaiye ganapati jag vandan | Ayodhyadas Nimavat | A♭ Major | 7 | 4B | 77 BPM | ||
| Duniya Chale Na Shri Ram Ke Bina | Manish Tiwari | G Minor | 6 | 6A | 87 BPM | ||
| jay baldhari bahuchar maa | Hari cassettes | D♭ Major | 4 | 3B | 132 BPM | ||
| Chhote Chhote Ghunghroo | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Chitravati Tata Vishaala Sundara Sai | Connecting Lives | B♭ Minor | 6 | 3A | 85 BPM | ||
| Govinda Aala Re | Manish Tiwari | A♭ Major | 6 | 4B | 144 BPM | ||
| Mere Lakhan Dulare Bol | Pawan Tiwari | F Major | 5 | 7B | 142 BPM | ||
| Anant Koti Brahmandnayak | Sachidanand Appa | G Major | 5 | 9B | 82 BPM |