On January 1, 1964, the song "Come Ray And Come Charles" was released by Michel Legrand. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Come Ray And Come Charles's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 12 in Archi-cordes by Michel Legrand. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Come Ray And Come Charles is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Come Ray And Come Charles by Michel Legrand is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Departure | Miles Davis, Michel Legrand | D Major | 4 | 10B | 61 BPM | ||
| Espionage-a-trois | The Tikiyaki Orchestra | A Minor | 7 | 8A | 120 BPM | ||
| Final - From "Les demoiselles de Rochefort" | Michel Legrand | D Minor | 6 | 7A | 83 BPM | ||
| Chant Of The Moon | Robert Drasnin | B♭ Major | 1 | 6B | 118 BPM | ||
| Theme From Star Trek | Leonard Nimoy | G Major | 8 | 9B | 160 BPM | ||
| Oum le dauphin | Jean Drejac, Michel Legrand | D♭ Minor | 8 | 12A | 102 BPM | ||
| I Spy - Remastered | Earle Hagen | F Minor | 4 | 4A | 118 BPM | ||
| Three Is A Magic Number | Bob Dorough | E Major | 4 | 12B | 106 BPM | ||
| One Note Samba / Recado Bossa Nova (Medley) | Leroy Holmes | F Minor | 4 | 4A | 94 BPM | ||
| (THAT’S) WHAT THE NITTY GRITTY IS | Shirley Ellis | A♭ Major | 8 | 4B | 129 BPM | ||
| Kotmorn Yoop Yap (All Shook Up) | Sakarin Boonpit | A Major | 6 | 11B | 143 BPM | ||
| Mah-Na-Mah-Na | The Dave Pell Singers | G Major | 5 | 9B | 103 BPM | ||
| Chinese Surfer | Kava Kon | D Major | 6 | 10B | 115 BPM | ||
| Safradesia | Don Ralke | D Major | 5 | 10B | 137 BPM | ||
| Casino Royale Theme | Herb Alpert | A♭ Major | 4 | 4B | 77 BPM | ||
| Mah-Na, Mah-Na - 1997 Remastered | Leroy Holmes Orchestra | C Major | 4 | 8B | 97 BPM | ||
| Bubbles In The Wine - 1995 - Remaster; Digital Version | Freddy Martin | A♭ Major | 3 | 4B | 159 BPM | ||
| Very Fine Fellow | Barbara Moore, De Wolfe Music | C Minor | 2 | 5A | 88 BPM | ||
| Raver | Alan Hawkshaw | D Major | 6 | 10B | 179 BPM | ||
| Tatoo totem | Pierre Daven-Keller, Helena Noguerra | G Major | 8 | 9B | 172 BPM | ||
| Laura / More | Denny McLain | G Major | 4 | 9B | 99 BPM | ||
| Sous les ponts de Paris | Michel Legrand | B♭ Major | 5 | 6B | 142 BPM | ||
| Hooray for Hollywood | Don Swan & His Orchestra | F Minor | 7 | 4A | 143 BPM | ||
| Light My Fire - 1994 Remaster | Shirley Bassey | D Minor | 6 | 7A | 184 BPM | ||
| The Race, First Laps - From The 1971 Original Soundtrack "Le Mans" | Michel Legrand | D Minor | 8 | 7A | 111 BPM |