Anonymous, Que P's ' "I Ain't Trippin' (feat. Que P)" was released on its scheduled release date, November 29, 2014. This song is quite longer than the average track at 4 minutes and 39 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The song is number 13 out of 16 in F#ck Anonymous, Vol. 2: #Hatemail by Anonymous . Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I Ain't Trippin' (feat. Que P) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of I Ain't Trippin' (feat. Que P) by Anonymous, Que P is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantus Vespertinus Novus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | C Major | 0 | 8B | 132 BPM | ||
| Motetti e sonate concertati, Op. 6: Sonata prima à 2 | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Graduale: Dirigatur, Modo VII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F Major | 0 | 7B | 71 BPM | ||
| I'm da Shit | Anonymous | D♭ Major | 7 | 3B | 87 BPM | ||
| Der Templer und die Jüdin, Op. 60, Act I: Wer Kraft und Muth in freier Brust | Heinrich Marschner, Anonymous, Vienna Radio Symphony Orchestra, Kurt Tenner | A♭ Major | 3 | 4B | 90 BPM | ||
| Precatio Fidelitatis Beatissimae | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | G Minor | 1 | 6A | 78 BPM | ||
| Lamento di Tristano & Rotta (Arr. M. Lemke-Kern) | Anonymous, Trobar e Cantar | G Minor | 1 | 6A | 120 BPM | ||
| Agní parthéne | Nectarios of Aegina, N. Sysoeva, Alexander Manotskov, Choir of the Church of Birth of St. John the Baptist, Kamenny Island, Olga Bondarevskaya | F Minor | 1 | 4A | 121 BPM | ||
| Posadh Naofa Cana (The Holy Wedding of Cana) | Nóirín Ní Riain | C Major | 0 | 8B | 100 BPM | ||
| Chiaccona in partite variate | Alessandro Piccinini, Playfords | D♭ Minor | 0 | 12A | 70 BPM | ||
| Chansons: Amoreux suy et me vient toute joye | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Minor | 3 | 1A | 107 BPM | ||
| Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
| I Paternos simeron (Djeva dnes), Božićni kondak / И Патернос симерон | Divna Ljubojevic | D Major | 0 | 10B | 97 BPM | ||
| In This Life | Anonymous | D♭ Major | 7 | 3B | 87 BPM | ||
| Der Templer und die Jüdin, Op. 60, Act III: Kommst du zum Kampf für die Beklagte hier | Heinrich Marschner, Walter Heinrich, Georg Oeggl, Fritz Sperlbauer, Liane Synek, Anonymous, Vienna Radio Symphony Orchestra, Kurt Tenner | A♭ Major | 3 | 4B | 90 BPM | ||
| Harmonia Aureae Beatitudinis | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | D Minor | 0 | 7A | 71 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major (Arr. for Cello & Harp) | Franz Schubert, Anonymous, Matthias Michael Beckmann, Margit-Anna Süβ | F♯ Major | 2 | 2B | 83 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Graduale: Excita, Domine | Marek Klein | F Minor | 0 | 4A | 99 BPM | ||
| Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Ad Matutinum: Responsorium. Qui Deus Magnus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Lute Sonata No. 1: IV. Sarabanda | Giovanni Zamboni, Luciano Còntini | B Major | 0 | 1B | 140 BPM | ||
| Recercada Ruggero | Diego Ortiz, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 175 BPM | ||
| Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM |