"5 Elizabethan Songs: No. 4, Sleep" by Ivor Gurney, Roderick Williams, Susie Allan had its release date on November 17, 2017. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 28 out of 28 in Celebrating English Song by Roderick Williams, Susie Allan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 5 Elizabethan Songs: No. 4, Sleep is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Elizabethan Songs: No. 4, Sleep by Ivor Gurney, Roderick Williams, Susie Allan is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gilgamesh, Tablet 9: Deep | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Andreas Schmidt, Cord Garben | D♭ Major | 0 | 3B | 62 BPM | ||
| Songs of Travel: No. 7, Whither Must I Wander? | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | C Minor | 0 | 5A | 76 BPM | ||
| 6 Lieder für eine Frauenstimme (2006 Digital Remaster): Wiegenlied im Sommer (wds. Reinick) | Hugo Wolf, Elisabeth Schwarzkopf, Gerald Moore | F Major | 0 | 7B | 159 BPM | ||
| Emily — No Prisoner Be: No. 25, If I can stop one Heart from breaking (on Praetorius "Lo, How a Rose E'er Blooming") | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 87 BPM | ||
| Love blows as the wind blows: III Fill a glass with golden wine | George Butterworth, Jonathan Lemalu, Belcea Quartet | F Major | 0 | 7B | 87 BPM | ||
| Sept chansons pour Gladys, Op. 151: No. 1, M'a dit Amour | Charles Koechlin, Julie Roset, Susan Manoff | A Minor | 1 | 8A | 100 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
| Severn Meadows | Ivor Gurney, Kathryn Rudge, James Baillieu | D Major | 1 | 10B | 86 BPM | ||
| Psalm 42, Op. 42, MWV A15: Aria "Meine Seele dürstet nach Gott" - Recitativo "Meine Tränen sind meine Speise" | Felix Mendelssohn, Eiddwen Harrhy, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Minor | 0 | 3A | 121 BPM | ||
| Mahler: Kindertotenlieder: No. 4, Oft denk' ich, sie sind nur ausgegangen! | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | D Major | 1 | 10B | 107 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| L'Inconstante | Isabelle Aboulker, Julie Roset, Susan Manoff | C Major | 1 | 8B | 77 BPM | ||
| Chants d'Auvergne, Vol. 1: No. 1, La Pastoura Als Camps (the Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 98 BPM | ||
| Poulenc: Banalités, on Poems by Guillaume Apollinaire, FP 107: II. Hôtel, "Ma chambre a la forme d'une cage" (Très calme et paresseux) | Francis Poulenc, Véronique Gens, Roger Vignoles | D Major | 0 | 10B | 102 BPM | ||
| A Dream | Rebecca Clarke, Sivan Goldman, Shira Shaked | E♭ Major | 1 | 5B | 68 BPM | ||
| Emily — No Prisoner Be: No. 10, I reason, Earth is short | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 87 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | D♭ Minor | 1 | 12A | 87 BPM | ||
| Ne abscondas faciem tuam a me | Radoslaw Pallarz, Lydia Schimmer, Ensemble Memoria Tenere | D Minor | 1 | 7A | 81 BPM | ||
| Messa di Gloria: Gloria in excelsis | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | B♭ Minor | 0 | 3A | 87 BPM | ||
| Korngold: Die tote Stadt, Op. 12, Act 2: "Mein Sehnen, mein Wähnen" (Fritz) | Erich Wolfgang Korngold, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | D♭ Major | 1 | 3B | 90 BPM | ||
| L'invitation au voyage | Henri Duparc, Véronique Gens, Susan Manoff | A Major | 1 | 11B | 174 BPM | ||
| 1. Clair de lune (L 32) | Claude Debussy, Simona Saturova, Marek Kozák | D♭ Minor | 1 | 12A | 87 BPM | ||
| Berlioz: Les nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM |