- BPM
- 168
- Key
- E♭ Minor
- Camelot
- 2A
Prélude Nº 5 (1951), « Prélude romantique » by André Mathieu, Marc Bourdeau Song Details
"Prélude Nº 5 (1951), « Prélude romantique »" by André Mathieu, Marc Bourdeau had its release date on April 14, 2023. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marc Bourdeau's "Montréal Musica" album is number 1 out of 22. On top of that, Canada appears to be the country where this track was created. The popularity of Prélude Nº 5 (1951), « Prélude romantique » is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Prélude Nº 5 (1951), « Prélude romantique » by André Mathieu, Marc Bourdeau to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Music Key
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -24.133 dB
- Acousticness
- 99%
- Danceability
- 29%
- Energy
- 10%
- Instrumentalness
- 94%
- Liveness
- 13%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fünf Skizzen, Op. 114: III. Der Teich | Jean Sibelius, Leif Ove Andsnes | C Major | 1 | 8B | 70 BPM | |
 | Franck / Transc. Bauer: Prélude, Fugue et Variation Op. 18, CFF 30B (transcr. H. Bauer) – II. Lento + III. Fugue (Allegretto ma non troppo) | César Franck, Mariam Batsashvili | B♭ Minor | 1 | 3A | 100 BPM | |
 | Brahms - Op.116 No.2 Intermezzo A minor | Elena Kuschnerova | A Minor | 0 | 8A | 132 BPM | |
 | Oboe Sonata, Op. 166: I. Andantino | Camille Saint-Saëns, David Friedemann Strunck, Christian Ihle Hadland | D Major | 0 | 10B | 77 BPM | |
 | 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | |
 | Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Beatrice Rauchs | C Minor | 1 | 5A | 78 BPM | |
 | Liszt: Années de pèlerinage, Première année "Suisse", S. 160: No. 2, Au lac de Wallenstadt | Franz Liszt, György Cziffra | A♭ Major | 0 | 4B | 136 BPM | |
 | Forgotten Melodies I, Op. 38: Canzona Serenata, Op. 38, No. 6 | Nikolai Medtner, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | |
 | Petite Suite: VI. Sérénade. Allegretto | Alexander Borodin, Marco Rapetti | B♭ Major | 1 | 6B | 93 BPM | |
 | Saint-Saëns: 6 Études, Op. 52: No. 2, Étude pour l'indépendance des doigts | Camille Saint-Saëns, Bertrand Chamayou | A Minor | 1 | 8A | 182 BPM | |
 | Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | |
 | Concert pour piano, violon et quatuor à cordes in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Boito Quartet, Leonardo Zunica, Paolo Ghidoni | D Minor | 1 | 7A | 138 BPM | |
 | Ballet Scenes, Lullaby | André Mathieu, Alain Lefèvre, George Hanson, Tucson Symphony Orchestra | E♭ Minor | 0 | 2A | 61 BPM | |
 | Debussy: Beau Soir, L. 6 | Claude Debussy, Kyung Wha Chung, Kevin Kenner | E Major | 0 | 12B | 107 BPM | |
 | Prélude, Fugue et Variation, Op. 18: III. Allegretto ma non troppo (Arr. pour piano) | César Franck, Nikolai Lugansky | D Major | 0 | 10B | 81 BPM | |
 | Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A♭ Major | 0 | 4B | 176 BPM | |
 | Four Sketches, Op. 15: No. 4, Fire-Flies | Amy Beach, Claire Huangci | G Major | 1 | 9B | 66 BPM | |
 | Debussy: Petite Suite ~ En Bateau | Anthony & Joseph Paratore | G Major | 0 | 9B | 67 BPM | |
 | The Lark | Mily Balakirev, Mikhail Glinka, Olga Scheps | B♭ Minor | 0 | 3A | 72 BPM | |
 | Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | |
 | Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM | |
 | Croquis et agaceries d'un gros bonhomme en bois: I. Tyrolienne turque | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | |
 | Divertimento in D Major, Hob. XI.113: I. Adagio | Franz Joseph Haydn, Denis Brott, Samuel Sanders | D Major | 1 | 10B | 145 BPM | |
 | Prelude in G Flat, Op. 32, No. 12 | Hélène Grimaud | A♭ Major | 1 | 4B | 110 BPM |
- ISRC
- CACS32332001
- Label
- L-M Records/RCA Records