Kim Wilde's ' "Can You Come Over" was released on its scheduled release date, May 9, 1982. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Select (Deluxe Edition)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Can You Come Over's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Can You Come Over by Kim Wilde having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Qu'est-ce Que C'est Que Ça | Pete Shelley | E♭ Major | 10 | 5B | 147 BPM | ||
| I'm The Only One | The Go-Go's | A Major | 8 | 11B | 163 BPM | ||
| The Waiting Game | Limahl | D Major | 5 | 10B | 138 BPM | ||
| Possessive Love | Marilyn Martin | D Major | 8 | 10B | 104 BPM | ||
| The Face | Frida | D♭ Minor | 8 | 12A | 117 BPM | ||
| Why Must I | 'Til Tuesday | D♭ Major | 7 | 3B | 96 BPM | ||
| London Town | Bucks Fizz | D Minor | 8 | 7A | 91 BPM | ||
| Just Wait And See - 2002 Digital Remaster; 24 Bit Mastering | The Knack | D Major | 9 | 10B | 153 BPM | ||
| It Ain't None Of Your Business | Missing Persons | D♭ Minor | 9 | 12A | 144 BPM | ||
| We're Both Thinking Of Her | Tiffany | F♯ Major | 7 | 2B | 126 BPM | ||
| Who's Gonna Catch You When You Fall | Mel & Kim | A Minor | 10 | 8A | 118 BPM | ||
| Ahriman | Aneka | E Minor | 9 | 9A | 131 BPM | ||
| Faster Than Light - 2010 Remaster | Duran Duran | A Major | 6 | 11B | 136 BPM | ||
| Another Lost Look | Altered Images | G Major | 6 | 9B | 127 BPM | ||
| Bladerunner | Kim Wilde | B Major | 4 | 1B | 160 BPM | ||
| All Eyes | Heart | D♭ Major | 10 | 3B | 141 BPM | ||
| You'll Never Be So Wrong | Kim Wilde | A Major | 9 | 11B | 129 BPM | ||
| It's All Over Now | Feargal Sharkey | D Major | 8 | 10B | 191 BPM | ||
| Honey for the Bees | Alison Moyet | A Major | 7 | 11B | 114 BPM | ||
| The Big Picture - 2017 Remaster | Y Kant Tori Read | C Major | 8 | 8B | 126 BPM | ||
| Say You Really Want Me | Kim Wilde | B♭ Minor | 6 | 3A | 107 BPM | ||
| I'm With You | The Go-Go's | A Major | 5 | 11B | 126 BPM | ||
| Queen Of The Publication | Olivia Newton-John | D♭ Major | 9 | 3B | 156 BPM | ||
| I Was a Fool | Limahl | A Minor | 6 | 8A | 148 BPM | ||
| Reap the Wild Wind - 2009 Remaster | Ultravox | D♭ Major | 7 | 3B | 133 BPM |