Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 1. Rede, Mädchen, allzu liebes by Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch Song Details

Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch's 'Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 1. Rede, Mädchen, allzu liebes' had a release date set for January 1, 1983. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 36 in Brahms: Liebeslieder-Walzer by Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau. In terms of popularity, Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 1. Rede, Mädchen, allzu liebes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 1. Rede, Mädchen, allzu liebes by Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -27.18 dB
Acousticness: 98%
Danceability: 28%
Energy: 7%
Instrumentalness: 0%
Liveness: 23%
Loudness: 55%
Speechiness: 5%
Valence: 37%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Hänsel und Gretel, EHWV 93.3, Act II: Abends, will ich schlafen geh'n	Engelbert Humperdinck, Rundfunk-Sinfonieorchester Berlin, Marek Janowski, Katrin Wundsam, Alexandra Steiner	D Major	0	10B	169 BPM
Ein Sommernachtstraum (A Midsummer's Night Dream): XI. Finale "Bei des Feuers mattem Flimmern"	Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe, Sandrine Piau, La Chapelle Royale, Collegium Vocale Gent, Delphine Collot	E Major	0	12B	146 BPM
Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris"	Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli	F♯ Major	0	2B	69 BPM
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes	Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist	C Major	3	8B	97 BPM
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo)	Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch	B♭ Minor	0	3A	79 BPM
Die sieben Todsünden: I. Prolog	Kurt Weill, Cord Garben, Radio-Philharmonie Hannover des NDR, Brigitte Fassbaender	D Minor	1	7A	74 BPM
Weber: Der Freischütz, Op. 77, J. 277, Act 3: Huntsmen's Chorus. "Was gleicht wohl auf Erden dem Jägervergnügen?" (Chor)	Carl Maria von Weber, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden	D Major	3	10B	122 BPM
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend"	Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum	C Major	2	8B	135 BPM
Eugene Onegin, Op. 24, TH. 5 / Act I: Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku"	Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus	E Minor	2	9A	78 BPM
Oberon, J.306: Ouvertüre	Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelík	D Major	1	10B	131 BPM
La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps"	Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti	G Major	1	9B	75 BPM
7 Fantasies, Op. 116: No. 1, Capriccio in D Minor	Johannes Brahms, Emanuel Ax	F Major	3	7B	156 BPM
Myrthen, Op. 25: No. 7, Die Lotosblume	Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach	E♭ Major	0	5B	184 BPM
Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören")	Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg	A Minor	1	8A	101 BPM
Schwanengesang, D. 957: Ständchen	Franz Schubert, Peter Schreier, András Schiff	D Major	0	10B	164 BPM
Six Lieder, Op. 13: 6. Die stille Lotosblume	Clara Schumann, Barbara Bonney, Vladimir Ashkenazy	A♭ Major	0	4B	94 BPM
In stiller Nacht	Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger	D Major	0	10B	90 BPM
Emily — No Prisoner Be: No. 4, Again — his voice is at the door	Kevin Puts, Time For Three, Joyce DiDonato	D♭ Minor	1	12A	138 BPM
The Salley Gardens	Benjamin Britten, Karla Haltenwanger, Andrè Schuen	B♭ Major	1	6B	74 BPM
Oh pourquoi donc, S. 301a	Franz Liszt, Katharina Konradi, Daniel Heide	E Major	0	12B	67 BPM
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light	Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver	E Major	1	12B	145 BPM
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange"	Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist	A♭ Major	0	4B	80 BPM
Fünf Lieder: Ich Wandle Unter Blumen	Alma Mahler, Barbara Hannigan, Reinbert de Leeuw	F♯ Major	0	2B	75 BPM
Berlioz: Les nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b	Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon	A Major	1	11B	134 BPM
Die Nacht, Op.10, No.3	Richard Strauss, Barbara Bonney, Malcolm Martineau	D Major	0	10B	174 BPM