Patsy Cline's ' "How Can I Face Tomorrow (Radio Transcription)" was released on its scheduled release date, April 18, 2025. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. How Can I Face Tomorrow (Radio Transcription)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Patsy Cline's "Imagine That: The Lost Recordings 1954-1963" album is number 23 out of 52. On top of that, Spain appears to be the country where this track was created. In terms of popularity, How Can I Face Tomorrow (Radio Transcription) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of How Can I Face Tomorrow (Radio Transcription) by Patsy Cline to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Burning Bridges | Jack Scott | A Major | 2 | 11B | 83 BPM | ||
| Just Beyond the Moon | Tex Ritter | G Major | 3 | 9B | 113 BPM | ||
| Sixteen Reasons | Connie Stevens | B♭ Major | 4 | 6B | 110 BPM | ||
| Fool #1 | Brenda Lee | C Major | 2 | 8B | 132 BPM | ||
| Hungry Eyes | Merle Haggard & The Strangers | D Major | 2 | 10B | 104 BPM | ||
| Teen Angel | Mark Dinning | C Major | 1 | 8B | 101 BPM | ||
| Old Shep | Red Foley | G Major | 1 | 9B | 110 BPM | ||
| Homecoming - Single Version | Tom T. Hall | B Major | 4 | 1B | 123 BPM | ||
| Blue Kentucky Girl | Loretta Lynn | B Major | 4 | 1B | 113 BPM | ||
| Wildwood Flower | The Carter Family | E Major | 3 | 12B | 95 BPM | ||
| Foolish Heart | The Mavericks | D Major | 4 | 10B | 104 BPM | ||
| Blue Bayou | Roy Orbison | F Major | 2 | 7B | 118 BPM | ||
| Don't Care | Webb Pierce | G Major | 2 | 9B | 154 BPM | ||
| He's a Rebel | The Crystals | F♯ Major | 8 | 2B | 117 BPM | ||
| Yes Mr. Peters | Roy Drusky, Priscilla Mitchell | A Major | 3 | 11B | 105 BPM | ||
| We'll Sing in the Sunshine | Gale Garnett | B Major | 4 | 1B | 107 BPM | ||
| Reno | Dottie West | A Major | 4 | 11B | 118 BPM | ||
| Satin Sheets | Jeanne Pruett | D Major | 3 | 10B | 99 BPM | ||
| Cryin' Time | George Jones, Tammy Wynette | F Major | 3 | 7B | 68 BPM | ||
| I Can Dream, Can't I? - 1949 Single Version | The Andrews Sisters, Gordon Jenkins & His Orchestra | C Major | 2 | 8B | 87 BPM | ||
| Life Is Like a Mountain Railroad | Sandy Kelly, Patsy Cline | D Major | 2 | 10B | 100 BPM | ||
| It's Only Make Believe | Conway Twitty | B Major | 5 | 1B | 129 BPM | ||
| Roses Are Red (My Love) | Bobby Vinton | G Minor | 3 | 6A | 98 BPM | ||
| I'll Get Over You - Remastered | Crystal Gayle | A♭ Major | 3 | 4B | 110 BPM | ||
| For the Good Times | Kris Kristofferson | C Major | 2 | 8B | 88 BPM |