Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia's 'La source, ou Naila: Suite No. 2: Suite No. 2: Scene dansee' had a release date set for December 13, 1995. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 43 in Delibes: Coppelia (Complete Ballet) / La Source Suites by Léo Delibes. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, La source, ou Naila: Suite No. 2: Suite No. 2: Scene dansee is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La source, ou Naila: Suite No. 2: Suite No. 2: Scene dansee by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
| La Bayadere: 10. "Pas De Deux - Nikiya and Solor - Slower Tempo" (Bonus Track) | Evergreen Symphony Orchestra, Kevin Galiè | B♭ Major | 0 | 6B | 67 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Symphony No.2 in C Minor, op. 17 " Little Russian " : II. Andantino marciale quasi moderato | Philharmonia Slavonica, Alberto Lizzio | E♭ Major | 0 | 5B | 90 BPM | ||
| Spartacus, Act I: Variation of Aegina and Bacchanalia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | F Minor | 4 | 4A | 110 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: 4. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | D♭ Major | 1 | 3B | 173 BPM | ||
| Pesther Csárdás Op. 23 | Johann Strauss II, Hallé, Bramwell Tovey | C Major | 1 | 8B | 147 BPM | ||
| Die Flamme von Paris (Flames of Paris), Act IV: Moderato: Men's Variation [arr. March] | Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | ||
| Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 13 (orch. Parlow) [Version for orchestra] | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 81 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 9 (orch. Gal) [Version for orchestra] | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 81 BPM | ||
| Le Lac des Cygnes, Op.20: Acte II, Scène 3 | L'Orchestre National du Bolchoï, Algys Juraitis | D Minor | 1 | 7A | 104 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 9, Village Girls | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 2 | 11B | 75 BPM | ||
| La Sylphide: Act II: Forest Scene: James and the Sylphide | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | B♭ Major | 0 | 6B | 120 BPM | ||
| Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 84 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Coppelia: Act I - Ballade | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 168 BPM | ||
| Les sirènes: Entry of Fashionable Folk. Tempo di valse | Lord Berners, Miriam Blennerhasset, RTE Sinfonietta, David Lloyd-Jones | D Minor | 2 | 7A | 119 BPM | ||
| Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
| The Sleeping Beauty, Op. 66 : Act II. The Vision And The Sleeping Beauty Awakened: Entr'acte Et Scene | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 2 | 6B | 94 BPM | ||
| La bayadère: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
| Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | C Major | 4 | 8B | 91 BPM |