"Tear" by Dan Berridge had its release date on September 10, 2012. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Tear's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 34 in Film Works, Vol. 1 by Dan Berridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Tear's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tear by Dan Berridge is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Una Mala Tarde | Falsas Alarmas | B♭ Minor | 1 | 3A | 100 BPM | ||
| Fuera De Categoria | Ambientes Misticos | E Major | 1 | 12B | 146 BPM | ||
| Morning Routine | CHLOE (Thévenin) | F Major | 2 | 7B | 99 BPM | ||
| Beautiful | Zudagog | E Major | 2 | 12B | 110 BPM | ||
| Conviction | Dan Berridge | B Major | 0 | 1B | 136 BPM | ||
| Like a Bird | Denis Christ, DEUX | E♭ Major | 5 | 5B | 100 BPM | ||
| La Gente Esta Sabrosa | Camila Delay | F Major | 2 | 7B | 99 BPM | ||
| Beyond Reach | Everrune | F Major | 2 | 7B | 99 BPM | ||
| La rumeur | Delphine Malaussena | D Minor | 4 | 7A | 180 BPM | ||
| Detalles | Eterna Oscuridad | A♭ Minor | 1 | 1A | 120 BPM | ||
| Med Sivving | Daniel Berridge, Dan Berridge | D♭ Major | 3 | 3B | 148 BPM | ||
| Into The Night - Day Version | Dan Berridge, Rashid Ajami | C Major | 5 | 8B | 122 BPM | ||
| Wenn der Kopf endlich Ruhe findet | Audisana Klangtherapie | B♭ Major | 1 | 6B | 78 BPM | ||
| Resting in Earned Calm | Dog Therapy | F Major | 2 | 7B | 99 BPM | ||
| Angle of Repose | Colin Chin | A♭ Major | 2 | 4B | 141 BPM | ||
| Meditations on Spring 1 | Astral Planisphere | B♭ Minor | 2 | 3A | 75 BPM | ||
| J50, Pt. 1 | Julien Verschooris | F♯ Minor | 0 | 11A | 65 BPM | ||
| The Same Way | Richer Liana, R Lacy | A Minor | 1 | 8A | 74 BPM | ||
| It's Getting Real | Dan Berridge | A Minor | 0 | 8A | 133 BPM | ||
| He Loves Hes in the Mood | Sibille Crawford, Brittanni Kia, Jake Brody, Royal Philarmonic Cunes | B Minor | 1 | 10A | 90 BPM | ||
| Letters to a Lost Spring | Woonai | D Minor | 2 | 7A | 120 BPM | ||
| Chances Reales | Reino De Fuego | E Major | 3 | 12B | 84 BPM | ||
| Still Life | Samuel Organ | F Major | 2 | 7B | 99 BPM | ||
| Final Chapter | Dramus | A Minor | 1 | 8A | 113 BPM | ||
| Jaleos Mentales | Ambientes Misticos | D Major | 1 | 10B | 105 BPM |