Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto by Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd Song Details

Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd's 'Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto' had a release date set for September 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Ries: Piano Concertos, Vol. 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto by Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 36%
Loudness: -25.141 dB
Acousticness: 100%
Danceability: 38%
Energy: 10%
Instrumentalness: 91%
Liveness: 7%
Loudness: 58%
Speechiness: 4%
Valence: 21%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Gluck: Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses	Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields, Paul Davies	F Major	0	7B	76 BPM
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro	Franz Schubert, Bamberg Symphony, Jonathan Nott	B♭ Major	1	6B	120 BPM
Sarasate: Zigeunerweisen, Op. 20	Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France	C Minor	2	5A	80 BPM
Waldszenen, Op. 82: No. 1. Eintritt (Entering the Forest)	Robert Schumann, Martin Helmchen	B♭ Major	0	6B	119 BPM
Berceuse	Armas Järnefelt, Gävle Symphony Orchestra, Hannu Koivula	G Minor	0	6A	103 BPM
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto	Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson	F Major	1	7B	127 BPM
Serenade No. 1 in D Major, Op. 11: VI. Rondo. Allegro	Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin	D Major	0	10B	83 BPM
Die tote Stadt, Act I: Mariettas Lied	Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits	B♭ Major	3	6B	94 BPM
Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile	Carl Philipp Emanuel Bach, Christopher Hinterhuber	E Minor	1	9A	106 BPM
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra	G Major	0	9B	62 BPM
Faschingsschwank aus Wien, Op. 26: No. 1, Allegro	Robert Schumann, Christopher Hinterhuber	C Major	1	8B	76 BPM
Clarinet Concerto in A major, K. 622: Clarinet Concerto in A major, K. 622: II. Adagio	Various Artists, David Shifrin, New York Chamber Symphony, Gerard Schwarz	C Major	1	8B	92 BPM
Piano Concerto No. 7, Op. 132, "Farewell to London": III. Allegro	Ferdinand Ries, Christopher Hinterhuber, Royal Liverpool Philharmonic Orchestra, Uwe Grodd	A Major	2	11B	136 BPM
Liebesträume, S. 541: No. 3 (Notturno)	Franz Liszt, Gerhard Oppitz	G Major	0	9B	64 BPM
Mendelssohn: String Quartet No. 2 in A Minor, Op. 13, MWV R22: III. Intermezzo	Felix Mendelssohn, Quatuor Arod	A Major	4	11B	126 BPM
Suite for Stor Orkester: II. Menuetto a l'antique	Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg	E♭ Major	1	5B	137 BPM
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato	Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart	G Major	1	9B	82 BPM
Liszt: Mephisto Waltz No. 1, S. 514	Franz Liszt, Stephen Hough	A Major	2	11B	116 BPM
6 Melodies, Op. 4 - 6 melodies, Op. 5: Andante soave	Fanny Mendelssohn, Beatrice Rauchs	E♭ Major	0	5B	69 BPM
Symphony No. 4 in F Major, Op. 110: II. Andantino	Ferdinand Ries, Janne Nisonen, Tapiola Sinfonietta	G Major	0	9B	135 BPM
Cello Concerto in B-Flat Major, G. 482: II. Adagio non troppo (Arr. F. Grützmacher)	Luigi Boccherini, Ludovit Kanta, Capella Istropolitana, Peter Breiner	G Minor	0	6A	89 BPM
Serenade for strings in E Minor, Op. 20	Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner	E Minor	1	9A	81 BPM
Sonata No. 2, Op. 36: II. Non Allegro	Hélène Grimaud	E Minor	0	9A	68 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	95 BPM