"Homage To Satie" by Max Harris had its release date on April 23, 2012. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Homage To Satie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Piano Themes". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Homage To Satie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Homage To Satie by Max Harris having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite for Cello & Jazz Piano Trio: VI. Cello Fan | Claude Bolling, Yo-Yo Ma, Jean-Luc Dayan, Marc Michel | C Major | 4 | 8B | 135 BPM | ||
| Sonata in C Major, K. 159 | Domenico Scarlatti, Eugen Cicero | G Major | 5 | 9B | 158 BPM | ||
| Jealousy - 1990 - Remaster | Yehudi Menuhin, Max Harris, Stéphane Grappelli, The Alan Clare Trio | D Major | 4 | 10B | 72 BPM | ||
| Royal Gardens Blues | Count Basie Trio | F♯ Major | 3 | 2B | 92 BPM | ||
| Midnight in Moscou | Kenny Ball & His Jazzmen | B♭ Minor | 5 | 3A | 160 BPM | ||
| Italian Concerto (Allegro) | Jacques Loussier, Vincent Charbonnier, André Arpino | F Major | 1 | 7B | 80 BPM | ||
| Toccata and Fugue in D minor BWV 565 - Fugue | Jacques Loussier Trio | C Minor | 2 | 5A | 142 BPM | ||
| Toot Suite: II. Mystique - Instrumental | Claude Bolling | B♭ Major | 3 | 6B | 88 BPM | ||
| Carnivaletto | Standard Music Library, Max Harris | C Major | 3 | 8B | 182 BPM | ||
| Ma première guitare | Biréli Lagrène Gipsy Project | C Major | 5 | 8B | 117 BPM | ||
| Begin The Beguine | Fapy Lafertin, Hady Mouallem, Flip Krajenbrink, Simon Planting | C Major | 4 | 8B | 100 BPM | ||
| Andante und Thema aus "Der Schwanensee", 2. Akt, Op. 20 | Eugen Cicero | B Minor | 3 | 10A | 103 BPM | ||
| The Green Leaves of Summer | Kenny Ball & His Jazzmen | F Minor | 6 | 4A | 161 BPM | ||
| A Shanty in Old Shanty Town | Allan Vaché, Antti Sarpila, Ken Peplowski, Mark Shane, Len Skeat, Joe Ascione | C Major | 4 | 8B | 116 BPM | ||
| Muskrat Ramble | Sidney Bechet's Blue Note Jazzmen | A♭ Major | 6 | 4B | 182 BPM | ||
| Easy Like | Marian McPartland | G Minor | 3 | 6A | 114 BPM | ||
| Manouche Rhapsody | Django's Friends | A Minor | 6 | 8A | 112 BPM | ||
| Nuages | Didier Lockwood | G Major | 1 | 9B | 96 BPM | ||
| Café Parisien Swing | Quintette du Hot Club de France, Dorado Schmitt, Ensemble de Jazz Manouche, Tchan-Tchou Vidal | G Minor | 3 | 6A | 202 BPM | ||
| Harlem Nocturne | Havana Swing | F Major | 3 | 7B | 93 BPM | ||
| Charleston | James P. Johnson | G Minor | 3 | 6A | 202 BPM | ||
| Grande valse brillante in E-Flat Major, Op. 18 | Frédéric Chopin, Eugen Cicero | A♭ Major | 4 | 4B | 118 BPM | ||
| Allemanda | Vernizzi Jazz Quartet & Corrado Giuffredi | G Minor | 4 | 6A | 99 BPM | ||
| Flower Power | Max Harris | F Major | 8 | 7B | 139 BPM | ||
| Gramercy Fives | Max Harris | C Major | 3 | 8B | 138 BPM |