On September 3, 2013, the song "Der Bettelstudent, Act II: "Klinget, Feierglocken, klinget"" was released by Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmytruk, Alexander Joel, Dirk Lohr, Bernd Ander, Mörbisch Festival Choir, Morbisch Festival Orchestra, Uwe Theimer. This song appears to be safe for all ages as it is not explicit. The track order of this song in Carl Millöcker, Uwe Theimer, Morbisch Festival Orchestra's "Millöcker: Der Bettelstudent" album is number 16 out of 19. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Der Bettelstudent, Act II: "Klinget, Feierglocken, klinget" is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Der Bettelstudent, Act II: "Klinget, Feierglocken, klinget" by Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmytruk, Alexander Joel, Dirk Lohr, Bernd Ander, Mörbisch Festival Choir, Morbisch Festival Orchestra, Uwe Theimer to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alle Tage Ist Kein Sonntag | Willy Schneider | A♭ Major | 2 | 4B | 83 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 3 | 5A | 74 BPM | ||
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
| Lohengrin, WWV 75 / Act 3: In fernem Land, unnahbar euren Schritten | Richard Wagner, James King, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus, Heinz Mende | E♭ Major | 4 | 5B | 124 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| Giselle - Act 2: No. 12 Entrée des paysans - No. 13 Entrée de Loys et Wilfride | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | C Major | 3 | 8B | 86 BPM | ||
| Cæcilie Vals (1852) | Hans Christian Lumbye, Tivoli Symphony Orchestra | B Major | 1 | 1B | 172 BPM | ||
| Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
| Der Probekuss: In Saus und Braus | Carl Millöcker, Wiener Johann Strauss Orchester, Alfred Eschwe | F Major | 4 | 7B | 78 BPM | ||
| Waldteufel Waltzes | Émile Waldteufel, Erich Kunzel, Cincinnati Pops Orchestra | A Major | 1 | 11B | 174 BPM | ||
| Vor meinem Vaterhaus steht eine Linde | Willy Schneider | A♭ Major | 3 | 4B | 77 BPM | ||
| Chabrier: España | Emmanuel Chabrier, Herbert von Karajan, Berliner Philharmoniker | F Major | 3 | 7B | 130 BPM | ||
| Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
| Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
| Die Romantiker Op. 167 | Wiener Symphoniker, Max Schönherr | E Major | 4 | 12B | 92 BPM | ||
| Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
| Don Carlo*: Act II Scene 1: Dio, che nell'alma infondere (Don Carlos, Rodrigo, Old Monk, Monks) | Giuseppe Verdi, Lars Cleveman, Klas Hedlund, Hilde Leidland, Hillevi Martinpelto, Peter Mattei, Bengt Rundgren, Iwa Sorenson, Martti Wallèn, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido | C Major | 3 | 8B | 133 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
| Die Hochquelle, Polka mazur, Op. 114 | Eduard Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
| Der Bettelstudent: Akt II: "Soll ich reden, darf ich schweigen?" | Carl Millöcker, Karl-Friedrich Hölzke, Elisabeth Ebert, Rundfunk-Sinfonieorchester Leipzig, Günther Herbig | G Major | 3 | 9B | 117 BPM | ||
| Der Bettelstudent: Ich knüpfte manche zarte Bande | Carl Millöcker, Fritz Wunderlich, Alois Melichar | G Major | 2 | 9B | 86 BPM | ||
| Hänsel und Gretel: Children's Prayer - Instrumental | Engelbert Humperdinck, Andre Kostelanetz, New York Philharmonic, Andre Kostelanetz & His Orchestra | D Major | 1 | 10B | 81 BPM | ||
| Brausteufelchen, Op. 154 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | ||
| Die schöne Galathée: Ouvertüre | Franz von Suppé, Lorin Maazel, Wiener Philharmoniker | D Major | 3 | 10B | 91 BPM |