Rudy Ray Moore's ' "Female Hostages (Alternate Take)" was released on its scheduled release date, 1976. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "The Human Tornado (Original Motion Picture Soundtrack)". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United States. Based on our statistics, Female Hostages (Alternate Take)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Female Hostages (Alternate Take) by Rudy Ray Moore having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can You Get It | Mandrill | C Major | 9 | 8B | 122 BPM | ||
| Bold Soul Sister | Ike & Tina Turner | E♭ Major | 7 | 5B | 94 BPM | ||
| The Lord Is Back | Eugene McDaniels | B♭ Minor | 8 | 3A | 100 BPM | ||
| Can We Rap | Carleen & The Groovers | C Major | 9 | 8B | 115 BPM | ||
| Signifying Monkey | Rudy Ray Moore | B♭ Minor | 4 | 3A | 70 BPM | ||
| Lovin' Man | Eugene McDaniels | C Minor | 3 | 5A | 100 BPM | ||
| Cookie Jar | Parlet | G Major | 7 | 9B | 78 BPM | ||
| Brother Darryl | Bernie Mac | G Minor | 5 | 6A | 70 BPM | ||
| Bail Out | D.J. Rogers | A♭ Major | 6 | 4B | 84 BPM | ||
| Who's Gonna Take The Weight - Live | Kool & The Gang | A Major | 9 | 11B | 106 BPM | ||
| Livin' It Up | Mandrill | C Major | 6 | 8B | 99 BPM | ||
| Funky Love | The Staple Singers | D♭ Minor | 5 | 12A | 109 BPM | ||
| Telephone Bill | Johnny "Guitar" Watson | B♭ Minor | 8 | 3A | 110 BPM | ||
| The School Play | Richard Pryor | D Major | 7 | 10B | 74 BPM | ||
| I Got Some, Pt. 1 | Billy Garner | A Major | 6 | 11B | 102 BPM | ||
| Stealin' | Dr. John | D Minor | 4 | 7A | 79 BPM | ||
| Stretchin' Out (In a Rubber Band) | Bootsy Collins | B Minor | 8 | 10A | 101 BPM | ||
| Ole Smokey | Graham Central Station | E Major | 5 | 12B | 178 BPM | ||
| (I'm Afraid) The Masquerade Is Over | David Porter | C Minor | 5 | 5A | 92 BPM | ||
| Negroes | Richard Pryor | C Major | 2 | 8B | 92 BPM | ||
| Funky Black Man | Earnest Jackson | B Major | 7 | 1B | 156 BPM | ||
| Hang Loose | Mandrill | G Minor | 8 | 6A | 128 BPM | ||
| I Remember I Made You Crazy | The Headhunters | D Minor | 7 | 7A | 103 BPM | ||
| Water | Graham Central Station | B Minor | 8 | 10A | 105 BPM | ||
| New Orleans | The Staple Singers | B Major | 6 | 1B | 121 BPM |