"Hoffmanns Erzählungen: Menuett Barcarole" by Vienna State Opera Orchestra, Josef Drexler had its release date on July 25, 2005. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Hoffmanns Erzählungen: Menuett Barcarole's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Operetten Zauber - Jacques Offenbach". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Switzerland. Hoffmanns Erzählungen: Menuett Barcarole is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hoffmanns Erzählungen: Menuett Barcarole by Vienna State Opera Orchestra, Josef Drexler having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasia On "Greensleeves" | Ralph Vaughan Williams, Vienna State Opera Orchestra, Sir Adrian Boult | B Minor | 3 | 10A | 112 BPM | ||
| Fächer-Polonaise op. 525 | Das Orchester der Wiener Staatsoper | D Major | 3 | 10B | 100 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| Wagner: Parsifal: Akt I: He! Ho! Waldhüter ihr | Richard Wagner, Elina Garanca, Georg Zeppenfeld, Philippe Jordan, Vienna State Opera Orchestra, Carlos Osuna, Erik Van Heyningen, Arend Prohmann, Peter Hecker | A♭ Major | 1 | 4B | 76 BPM | ||
| 花心 | 中国上海管弦乐团演奏 | B Minor | 8 | 10A | 91 BPM | ||
| 銀河鉄道999 | Yukihide Takekawa, 石田組 | F Major | 3 | 7B | 116 BPM | ||
| Luftig und duftig. Polka schnell, op. 206 | Eduard Strauss, Riccardo Muti, Wiener Philharmoniker | D Major | 4 | 10B | 82 BPM | ||
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | ||
| Le nozze di Figaro: Voi, che sapete (Arie des Cherubino) | Wolfgang Amadeus Mozart, I Salonisti | B♭ Major | 2 | 6B | 120 BPM | ||
| Giselle: Act I: Waltz | Adolphe Adam, Slovak Radio Symphony Orchestra, Ondrej Lenard | D Major | 2 | 10B | 94 BPM | ||
| Erzherzog Albrecht-Marsch, Op. 136 | Karel Komzák, Jr., Christian Thielemann, Wiener Philharmoniker | D Major | 2 | 10B | 111 BPM | ||
| Ik Wil Zingen Van Mijn Heiland | Arjan Huizer | A♭ Major | 2 | 4B | 180 BPM | ||
| Panzerlied (Ob’s stürmt oder schneit) | Kurt Wiehle, Sound Souvenirs | B♭ Major | 2 | 6B | 109 BPM | ||
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Parsifal / Act 1: "O wunden-wundervoller heiliger Speer" | Richard Wagner, Franz-Josef Selig, John Dickie, Daniela Denschlag, Janina Baechle, Vienna State Opera Orchestra, Christian Thielemann | A Minor | 0 | 8A | 147 BPM | ||
| Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
| Suite from Mam’zelle Angot, Act I: VII. Allegretto | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 80 BPM | ||
| The Gypsy Princess: Interlude | Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra | D Major | 2 | 10B | 97 BPM | ||
| Wagner: Parsifal: Akt I: Vorspiel | Richard Wagner, Philippe Jordan, Vienna State Opera Orchestra, Arend Prohmann, Peter Hecker | A♭ Major | 1 | 4B | 76 BPM | ||
| Tristan und Isolde, WWV 90, Act I: Prelude (Live) | Richard Wagner, Vienna State Opera Orchestra, Franz Welser-Möst | A Minor | 0 | 8A | 175 BPM | ||
| Bach, JS / Transcr. Stokowski for Orchestra: Was mir behagt, BWV 208 "Jagdkantate": No. 9, Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 3 | 10B | 127 BPM | ||
| The Legend Of The Glass Mountain | Annunzio Paolo Mantovani | C Major | 2 | 8B | 93 BPM | ||
| The Gypsy Princess: Man lebt nur einmal | Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra | D Major | 2 | 10B | 107 BPM | ||
| Gayaneh: Dance of the Young Kurds | Aram Khachaturian, Vienna State Opera Orchestra, Hermann Scherchen | A Minor | 7 | 8A | 178 BPM |