On November 29, 2003, the song "A For Ambedkar" was released by Anand Shinde. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 6 out of 8 in Bhima Tu Ugdile Manvteeche Dwar by Anand Shinde, Milind Shinde. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, A For Ambedkar is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of A For Ambedkar by Anand Shinde is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhima Tujya Jalmamule | Shravan Yashwante | E Minor | 5 | 9A | 143 BPM | ||
| Thambana Pudha Asa Jaoonaka | Usha Mangeshkar, Mahendra Kapur | F♯ Major | 5 | 2B | 87 BPM | ||
| Yevu Kashi Tashi Mee Nandayala | Rukmini Alias Roshan Satarkar | B Major | 5 | 1B | 135 BPM | ||
| Vandu Budhdala Chala | Prahlad Shinde | A♭ Major | 6 | 4B | 128 BPM | ||
| Chaitra Poornima Somvatila | Adarsh Shinde | A♭ Major | 9 | 4B | 160 BPM | ||
| Aaicha Sohala | Jayram Mhatre | B♭ Minor | 5 | 3A | 80 BPM | ||
| He Naan Distaya Shobhun Babasahebanchya Photona | Hiral Kamble | B Minor | 10 | 10A | 100 BPM | ||
| Aye Tujha | Madhukar Pathak | F Major | 4 | 7B | 79 BPM | ||
| Radhe Mi Gokulcha Ganshyam | Anjanabai Jagtap | E♭ Major | 7 | 5B | 99 BPM | ||
| Pori Tuza Mala Sara Baghayacha | Mahendra Kapoor | G Major | 8 | 9B | 83 BPM | ||
| Hans Ha Kunacha | Milind Shinde | A Major | 4 | 11B | 83 BPM | ||
| Navriche Mandwane | Shrikant Narayan | B♭ Major | 6 | 6B | 85 BPM | ||
| Aai Mazi Konala | Santosh Sonavane | F♯ Major | 9 | 2B | 207 BPM | ||
| Aas Vatatay Yedamay Ga | Ranjit Khandagale | A Major | 9 | 11B | 125 BPM | ||
| Welcome to Saileela 2.0 | Rajesh Ranshoor | D♭ Major | 9 | 3B | 90 BPM | ||
| Saat Samundar Aatala Ga Bai - Kalubai | Sakharabai Tekale | B Major | 8 | 1B | 129 BPM | ||
| Payana Kata Maje Bharlan Go | Ranjana Shinde | B Major | 5 | 1B | 196 BPM | ||
| Magey Rahila Kasara Ghat Dharli Shirdichi Vaat | Sai bhakti | F♯ Minor | 9 | 11A | 170 BPM | ||
| Tujha Saibaba Majha Saibaba | Omkar Mahadik | B♭ Minor | 9 | 3A | 180 BPM | ||
| Khelatana Rang Bai Holicha | Sulochana Chavan | A Major | 8 | 11B | 111 BPM | ||
| Mi Daryacha Nakhava | Jagdish Patil | A♭ Major | 9 | 4B | 80 BPM | ||
| Jogava Magen | Sakhrabai Tekale, Gajrabai Bumbhe, Chandan Kamble | A Minor | 9 | 8A | 109 BPM | ||
| Samaaj Viknaar Nahi | Anand Shinde | G Major | 5 | 9B | 104 BPM | ||
| Thata Matan Go Aai Tuzi Kadhin Mi Palkhi | Arjun Patil, Ramnath Mhatre | D Major | 10 | 10B | 138 BPM | ||
| Zapatlela | Sudesh Bhosle, Anupaama Deshpande | A♭ Minor | 6 | 1A | 172 BPM |