"A Final Sacrifice" by Luke Richards had its release date on July 3, 2020. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. A Final Sacrifice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 8 in Absolution by Luke Richards. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, A Final Sacrifice's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Final Sacrifice by Luke Richards is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Revelations | Eternal Eclipse | B♭ Minor | 6 | 3A | 65 BPM | ||
| Sacrifice | Steve Jablonsky | D Minor | 1 | 7A | 89 BPM | ||
| Sad Theme | LUDEN | A♭ Major | 5 | 4B | 125 BPM | ||
| Triage At Dawn | Ursine Vulpine | E Minor | 3 | 9A | 124 BPM | ||
| Hidden Machinations | Eternal Eclipse | D Minor | 7 | 7A | 84 BPM | ||
| Arrival of Tomorrow | Christoffer Franzen | B Minor | 4 | 10A | 115 BPM | ||
| Genevieve | Hendyamps Studios, Aimee Norris | B♭ Major | 0 | 6B | 66 BPM | ||
| Trespasser - Lost Elf Theme | Trevor Morris | A♭ Minor | 2 | 1A | 168 BPM | ||
| Where Are You | Glen Gabriel | D Minor | 2 | 7A | 173 BPM | ||
| The Arrival | Johan Söderqvist | B Minor | 1 | 10A | 129 BPM | ||
| Summit | Hannah Parrott | G Major | 2 | 9B | 120 BPM | ||
| Line in the Sand | Berend Salverda | C Minor | 6 | 5A | 125 BPM | ||
| Downfall | Luke Richards | D♭ Major | 1 | 3B | 51 BPM | ||
| First Touch | Luke Richards | D Major | 1 | 10B | 95 BPM | ||
| Long Lost | Dos Brains | D Minor | 1 | 7A | 87 BPM | ||
| The Stunning Ordinary | Hannah Parrott | A Minor | 2 | 8A | 106 BPM | ||
| Scars of War | Jessie Yun | F♯ Minor | 6 | 11A | 80 BPM | ||
| Service & Sacrifice | Eliott Tordo Erhu | D Major | 2 | 10B | 143 BPM | ||
| The Grave | Daniel Ciurlizza | D♭ Major | 2 | 3B | 95 BPM | ||
| Devestation | Johan Söderqvist, Patrik Andrén | D Minor | 1 | 7A | 51 BPM | ||
| I am Hers and She is Mine Alternative Ending | Robert Charles Corley | F♯ Minor | 1 | 11A | 120 BPM | ||
| The Moon | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| Chasing the Wind | James Everingham | F♯ Major | 3 | 2B | 104 BPM | ||
| Ashes Of Memories | Giovanni Puocci | A♭ Minor | 3 | 1A | 128 BPM | ||
| Shining Horizon | Anne Sophie Versnaeyen, Gabriel Saban, Philippe Briand | G Major | 6 | 9B | 128 BPM |