"Tomorrow Has Come" by Cobby Costa had its release date on September 2, 2011. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Testament". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Tomorrow Has Come is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tomorrow Has Come by Cobby Costa having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fractures | Cris Velasco | B♭ Major | 1 | 6B | 109 BPM | ||
| Hieroglyphs | Dream Cave | D♭ Major | 3 | 3B | 136 BPM | ||
| Htabiz | Moliduria | D Major | 0 | 10B | 140 BPM | ||
| Unicas Oportunidades | Mutua Admiración | D♭ Major | 0 | 3B | 68 BPM | ||
| Glitched Memory | Nathalie Lambert | C Major | 2 | 8B | 183 BPM | ||
| Silhouette | Chinza | D Major | 1 | 10B | 62 BPM | ||
| Sunset | Harmonies Piano | B♭ Major | 1 | 6B | 109 BPM | ||
| with nothing left to live for | blu hour | B♭ Major | 1 | 6B | 109 BPM | ||
| A Working Artist | Jamin Winans | B♭ Major | 2 | 6B | 129 BPM | ||
| Strange Interference | Cobby Costa | C Major | 3 | 8B | 114 BPM | ||
| P!ERCED | ZERO GRAV!TY ORCHESTRA | A♭ Major | 1 | 4B | 73 BPM | ||
| Hellbound | Cobby Costa | C Major | 3 | 8B | 114 BPM | ||
| Red Fox | JD Christensen | B♭ Major | 1 | 6B | 109 BPM | ||
| Colors in My Eyes | Farid Puber | B♭ Major | 2 | 6B | 68 BPM | ||
| Amores Correspondidos | Universo De Oro | G Minor | 0 | 6A | 83 BPM | ||
| Detour Switch | Cobby Costa | C Major | 3 | 8B | 114 BPM | ||
| Son of a Kind | Cobby Costa | C Major | 3 | 8B | 114 BPM | ||
| Segundas Soluciones | Hasta El Final | D♭ Minor | 2 | 12A | 95 BPM | ||
| Pretend to Wake Up | Max Anson | D Major | 2 | 10B | 127 BPM | ||
| Infra | Jay Varton | A Minor | 5 | 8A | 210 BPM | ||
| Voyage | Dark Matter Waves, Intestellar Frequency | E Minor | 2 | 9A | 194 BPM | ||
| Silentgrid | Velora | F♯ Minor | 4 | 11A | 105 BPM | ||
| Sight And Shadows | Ben Berkenbosch | B♭ Major | 1 | 6B | 109 BPM | ||
| Message | Yoon Chae Young | G Major | 4 | 9B | 120 BPM | ||
| Solfeggio Sound Therapy for Deep Relaxation | Connectionist | B♭ Major | 1 | 6B | 109 BPM |