Jon Heintz's 'Defending Our Lives' had a release date set for May 27, 2007. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 10 in Behind The Question by Jon Heintz. The popularity of Defending Our Lives is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Defending Our Lives by Jon Heintz is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All That I Know | One Less Reason | A Minor | 5 | 8A | 116 BPM | ||
| A Day To Be Alone | One Less Reason | A Minor | 4 | 8A | 116 BPM | ||
| Bird Never Flies | Ari Hest | G Minor | 4 | 6A | 103 BPM | ||
| Have You Ever Seen the Rain | Jonathan Clark | G Major | 2 | 9B | 96 BPM | ||
| Darkest Hour | Glen Phillips | D Major | 3 | 10B | 80 BPM | ||
| Benediction | Luke Sital-Singh | D Major | 1 | 10B | 121 BPM | ||
| Be Still | The Fray | G Major | 1 | 9B | 108 BPM | ||
| Cause I Get to Love You | Bryan Weirmier | B Major | 6 | 1B | 121 BPM | ||
| The Water Lets You In (“Bloodline” Main Title Theme) [Extended] | Book of Fears | G Major | 4 | 9B | 110 BPM | ||
| Nearly Morning | Luke Sital-Singh | C Major | 3 | 8B | 132 BPM | ||
| Goodbye World | Reed Foehl | B♭ Major | 3 | 6B | 72 BPM | ||
| Walking Next to You | Acres | E Major | 7 | 12B | 160 BPM | ||
| Magic Wand | Bob Schneider | D Major | 4 | 10B | 131 BPM | ||
| Come on In - Extended Version | Tommy Fields | G Major | 4 | 9B | 123 BPM | ||
| Prayer for the Weary | Bodeans | G Major | 3 | 9B | 108 BPM | ||
| Whispering Wind | Paul Durham | F♯ Major | 3 | 2B | 74 BPM | ||
| Dark Places | Quinn Archer | F Minor | 4 | 4A | 121 BPM | ||
| The Lost Boy (Bonus Track) | Greg Holden | G Major | 3 | 9B | 80 BPM | ||
| Make It Home Tonight | Jenn Grant | A Minor | 3 | 8A | 78 BPM | ||
| Dear Joan | Tabitha's Secret | F Major | 2 | 7B | 145 BPM | ||
| Lose Myself | Jon Heintz | D♭ Major | 1 | 3B | 139 BPM | ||
| Until Then... | Sully Erna, Irina Chirkova | G Minor | 3 | 6A | 102 BPM | ||
| Mary | Patty Griffin | B♭ Major | 4 | 6B | 130 BPM | ||
| Fortress | Dala | B Minor | 1 | 10A | 105 BPM | ||
| Weapon | Matthew Good | E♭ Minor | 8 | 2A | 103 BPM |