"Thing Follows Rowen" by Danny Elfman, Chris Bacon had its release date on November 23, 2022. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Thing Follows Rowen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wednesday (Original Series Soundtrack) by Danny Elfman, Chris Bacon. The song's track number on the album is #2 out of 48 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Thing Follows Rowen is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Thing Follows Rowen by Danny Elfman, Chris Bacon has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Thing Follows Rowen being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucille & Showdown | Fernando Velázquez | D♭ Major | 2 | 3B | 80 BPM | ||
| The Sewer Dragon | Dario Marianelli | F Minor | 1 | 4A | 83 BPM | ||
| Jan | Siddhartha Khosla | A Minor | 3 | 8A | 140 BPM | ||
| Horseback Ambush | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Accusations | Sam Watts | D Major | 4 | 10B | 114 BPM | ||
| Mages Were His Prey | Frederik Wiedmann | F Minor | 2 | 4A | 84 BPM | ||
| Abandoned in the Dark | Gameloft, Marc-Antoine Gagnon | B♭ Major | 1 | 6B | 176 BPM | ||
| Blood Will Have Blood | Carter Burwell | A Major | 0 | 11B | 119 BPM | ||
| A Farewell to Arm | Simon Franglen | E Minor | 5 | 9A | 117 BPM | ||
| Excalibur au Placard - Bande originale du film "Kaamelott - Deuxième Volet [Partie 1]" | Alexandre Astier | E Minor | 0 | 9A | 165 BPM | ||
| Chop Chop Cannon | Sonya Belousova, Giona Ostinelli | A Major | 7 | 11B | 124 BPM | ||
| Cabinet of Curiosities Prologue | Holly Amber Church | D Minor | 2 | 7A | 115 BPM | ||
| Isaac and Gomez - from "Wednesday: Season 2" | Chris Bacon, Wednesday Addams, Nevermore Academy Orchestra | D♭ Major | 3 | 3B | 68 BPM | ||
| Egos de Escritores | Kevin Smithers | F Minor | 1 | 4A | 72 BPM | ||
| We're Coming For You | Sam Watts | D Major | 4 | 10B | 114 BPM | ||
| Come Away with Me | Silviu Michaels, Sade | D♭ Major | 3 | 3B | 110 BPM | ||
| Flip Wakes Up | Pinar Toprak | E♭ Minor | 2 | 2A | 97 BPM | ||
| Whirl of Greed | John R Graham | D Major | 2 | 10B | 178 BPM | ||
| Bloodhunt Main Theme (Classical Version) | Atanas Valkov | G Major | 1 | 9B | 74 BPM | ||
| Symphony | Vunnogale | A Major | 4 | 11B | 75 BPM | ||
| Tengo Audiencia | Sustos Ocultos de Frankelda, Kevin Smithers | E♭ Minor | 2 | 2A | 114 BPM | ||
| Bell Lane, Whitechapel | Daniel Pemberton | G Major | 5 | 9B | 110 BPM | ||
| The Cruel Delight | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Village Scales | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| The Threads Intertwine | Daniel Pemberton | C Major | 5 | 8B | 78 BPM |