Morrie Morrison Orchestra's 'Tonight In Argentina - Instrumental' had a release date set for June 24, 2024. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Tonight In Argentina - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Morrie Morrison Orchestra's "Morrison 40s" album is number 5 out of 13. Tonight In Argentina - Instrumental is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tonight In Argentina - Instrumental by Morrie Morrison Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dickey-Bird Song | Freddy Martin | C Major | 1 | 8B | 111 BPM | ||
| Anywhere I Wander | Julius LaRosa | C Major | 0 | 8B | 76 BPM | ||
| Sweetheart's Holiday | Various Artists | G Minor | 1 | 6A | 74 BPM | ||
| The First Time I Saw You | Jimmie Lunceford | C Major | 3 | 8B | 78 BPM | ||
| Everybody Loves My Baby (Recorded September, 1924) | Aileen Stanley | A♭ Minor | 1 | 1A | 126 BPM | ||
| Just a Little Lovin' | Dolly Dawn, The Manhattan Nighthawks | D♭ Major | 3 | 3B | 115 BPM | ||
| Cuddle Up a Little Closer (with Paul Weston & His Orchestra & The Norman Luboff Choir) | Doris Day, Paul Weston And His Orchestra, The Norman Luboff Choir | E Major | 2 | 12B | 98 BPM | ||
| Lazy Moon | Laurel and Hardy | C Minor | 2 | 5A | 75 BPM | ||
| If It's Good | Lionel Hampton | E♭ Major | 4 | 5B | 94 BPM | ||
| I Can't Get Started - Alternate Take | Bunny Berigan | C Major | 1 | 8B | 72 BPM | ||
| You Tell Me Your Dream, I'll Tell You Mine | The Mills Brothers | D♭ Major | 0 | 3B | 83 BPM | ||
| No Love, No Nothin' | Ella Mae Morse | C Major | 1 | 8B | 72 BPM | ||
| Grand International | Morrie Morrison Orchestra | F Major | 4 | 7B | 169 BPM | ||
| Easy Living | Teddy Wilson | F Major | 1 | 7B | 105 BPM | ||
| Mine | Les Baxter | D Major | 2 | 10B | 77 BPM | ||
| Sugar | Lee Wiley | E♭ Major | 1 | 5B | 83 BPM | ||
| Let's Misbehave | Cole Porter, Irving Aaronson Commanders | G Major | 4 | 9B | 207 BPM | ||
| One Dozen Roses | Connee Boswell | A Minor | 2 | 8A | 93 BPM | ||
| Gone With the Wind | Horace Heidt & His Musical Knights, Larry Cotton | E♭ Major | 2 | 5B | 140 BPM | ||
| (You're Some) Pretty Doll | Eddie Condon | C Major | 1 | 8B | 72 BPM | ||
| I don't Want To Walk Without You | Harry James, Helen Forrest | B♭ Major | 2 | 6B | 62 BPM | ||
| The You and Me That Used to Be | Rudy Vallee and His Connecticut Yankees | C Major | 1 | 8B | 72 BPM | ||
| As Time Goes By | Rudy Vallee | D♭ Major | 1 | 3B | 72 BPM | ||
| If You Ever Should Leave | Ella Fitzgerald and Her Savoy Eight | A Minor | 1 | 8A | 109 BPM | ||
| Calm as the Night | John Kirby and His Orchestra | E♭ Major | 0 | 5B | 68 BPM |