"A Gift For Little Miss (From "Bicentennial Man" Soundtrack) - Instrumental" by James Horner had its release date on November 5, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 17 in Bicentennial Man - Original Motion Picture Soundtrack by James Horner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, A Gift For Little Miss (From "Bicentennial Man" Soundtrack) - Instrumental's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Gift For Little Miss (From "Bicentennial Man" Soundtrack) - Instrumental by James Horner is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leap Of Faith | Mark Isham | D Minor | 0 | 7A | 139 BPM | ||
| Reflections at Dusk | Peter Breiner, Don Gillis | E♭ Major | 0 | 5B | 100 BPM | ||
| Apprenticed | Carter Burwell | D Major | 0 | 10B | 179 BPM | ||
| Tim's Eyes | Angelo Milli | B Minor | 0 | 10A | 105 BPM | ||
| We'll Be #1 | William Ross | B♭ Major | 1 | 6B | 122 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| Jack & Aliana Make Love | Trevor Morris | E Minor | 3 | 9A | 74 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Dinner Is Served | Howard Shore | F Minor | 1 | 4A | 67 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| The End | Harald Kloser, Thomas Wander | F Major | 2 | 7B | 102 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| The Final Arrow | Marc Streitenfeld | F Minor | 1 | 4A | 66 BPM | ||
| Austerlitz | Jan A.P. Kaczmarek | D♭ Major | 3 | 3B | 179 BPM | ||
| The Market | George Fenton | C Major | 0 | 8B | 78 BPM | ||
| Primeros Murmullos - La Música del Espectáculo "Puy du Fou - España" | Samuel Pegg, Nathan Stornetta | F♯ Minor | 2 | 11A | 64 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Salome Reminds Jesus | John Debney | D♭ Major | 7 | 3B | 194 BPM | ||
| No Exit | W.G. Snuffy Walden | E Minor | 2 | 9A | 179 BPM | ||
| A Seam of Ironstone | Anne Dudley, The Chamber Orchestra Of London | D Minor | 2 | 7A | 63 BPM | ||
| Sweet Revenge | George Fenton | E♭ Major | 0 | 5B | 72 BPM | ||
| The Star Shines | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 2 | 8B | 130 BPM | ||
| Reunión y final | Fernando Velázquez | C Major | 1 | 8B | 69 BPM | ||
| The Coming of Night | Bear McCreary | A Minor | 1 | 8A | 93 BPM |