On September 14, 1990, the song "Bass-ically Speaking" was released by Billy Taylor, Charles Mingus. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 169 in the song's album "The Complete Debut Recordings". In this album, this song's track order is #55. Furthermore, we believe that the track originated from United States. In terms of popularity, Bass-ically Speaking is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bass-ically Speaking by Billy Taylor, Charles Mingus having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Illusions | Johnny Cross Trio | D Major | 3 | 10B | 101 BPM | ||
| Son binocle | Cyrus Chestnut | C Major | 2 | 8B | 91 BPM | ||
| Anything Goes | Sonny Criss | F Minor | 5 | 4A | 176 BPM | ||
| The Brownstone Sessions | Elliot Crane | D Major | 3 | 10B | 101 BPM | ||
| My foolish heart | Horace Parlan | G Minor | 1 | 6A | 87 BPM | ||
| Little Neeley | Dan Nimmer Trio | A Minor | 6 | 8A | 113 BPM | ||
| Don'cha Go 'Way Mad | Jan Lundgren Trio | G Minor | 6 | 6A | 129 BPM | ||
| Lover Come Back To Me - Short Cut - piano solo | Arkadia Short Cuts, Billy Taylor | A♭ Major | 3 | 4B | 176 BPM | ||
| To You | The Gene Harris Quartet | D Minor | 0 | 7A | 67 BPM | ||
| The Man I Love | Toshiko Akiyoshi | F Minor | 3 | 4A | 122 BPM | ||
| I Didn't Know What Time It Was | Kenny Drew Trio, Wilbur Ware, Philly Joe Jones | A Minor | 2 | 8A | 68 BPM | ||
| Tenderly | New York Trio | D♭ Major | 4 | 3B | 131 BPM | ||
| In A Sentimental Mood | Lucky Thompson | F Major | 0 | 7B | 95 BPM | ||
| These Foolish Things (Remind Me Of You) | Hampton Hawes Trio | C Minor | 1 | 5A | 120 BPM | ||
| I Can't Get Started | Duke Jordan | D Major | 3 | 10B | 101 BPM | ||
| Sweet Pumpkin | Blue Mitchell | F Major | 3 | 7B | 93 BPM | ||
| Everybody Gets the Blues | Eric Scott Reed | F♯ Major | 1 | 2B | 70 BPM | ||
| Struttin' with Some Barbecue | Alan Broadbent Trio | F♯ Major | 3 | 2B | 125 BPM | ||
| Drift Above Dawn | Sonorous Sky Entertainment | B♭ Major | 0 | 6B | 125 BPM | ||
| 星に願いを | Eddie Higgins | C Major | 2 | 8B | 123 BPM | ||
| Fantastic, That's You | Earl Hines | C Major | 1 | 8B | 68 BPM | ||
| Interlude - Short Cut - theme | Arkadia Short Cuts, Billy Taylor | A♭ Major | 3 | 4B | 176 BPM | ||
| You'd Be So Nice to Come Home To - 1990 Remaster | Bud Powell Trio | D Minor | 1 | 7A | 102 BPM | ||
| Blues Back | Art Blakey Quartet | C Minor | 3 | 5A | 74 BPM | ||
| Coral Keys | Benny Green | C Minor | 1 | 5A | 103 BPM |