George Frideric Handel, Dunedin Consort, John Butt, Susan Hamilton's ' "Messiah, Pt. 1: 20. Air "Rejoice Greatly"" was released on its scheduled release date, November 1, 2006. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Dunedin Consort, John Butt's "Handel: Messiah (Dublin Version, 1742)" album is number 20 out of 57. Based on our statistics, Messiah, Pt. 1: 20. Air "Rejoice Greatly"'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Messiah, Pt. 1: 20. Air "Rejoice Greatly" by George Frideric Handel, Dunedin Consort, John Butt, Susan Hamilton to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | E♭ Major | 1 | 5B | 116 BPM | ||
| Ciacona in G Minor, Z. 730 | Henry Purcell, English Chamber Orchestra, Benjamin Britten | G Minor | 2 | 6A | 78 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
| Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
| Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda. Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
| Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 71 BPM | ||
| Handel: An Occasional Oratorio, HWV 62, Marches: Atalanta - Joshua | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Valda Aveling | D Major | 2 | 10B | 173 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
| Sonata Op. 5, No. 10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
| Water Music Suite No. 1 in F: Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | D Minor | 1 | 7A | 77 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande, Sigiswald Kuijken | F♯ Minor | 1 | 11A | 106 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement | Cologne Chamber Orchestra, Georg Philipp Telemann | B♭ Major | 3 | 6B | 134 BPM | ||
| Theodora, HWV 68, Act I Scene 5: Air. Angels, ever bright and fair (Theodora) | George Frideric Handel, Christina Wieland, Diana Schmid, Franz Vitzthum, Knut Schoch, Klaus Mertens, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | E Major | 1 | 12B | 94 BPM | ||
| 12 Concerti Grossi, Op. 6, No. 8 in G Minor "Fatto per la notte di Natale": V. Allegro & VI. Largo. Pastorale ad libitum | Arcangelo Corelli, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Major | 1 | 9B | 117 BPM | ||
| Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
| II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
| Les Folies d'Espagne | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 108 BPM |