Carl Hancock Rux's ' "Better Left Unsaid" was released on its scheduled release date, May 23, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carl Hancock Rux's "Good Bread Alley" album is number 11 out of 11. On top of that, United States appears to be the country where this track was created. Better Left Unsaid is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Better Left Unsaid by Carl Hancock Rux to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Back Then | Oseni Nepht | G Major | 2 | 9B | 83 BPM | ||
| Expired Air | Natasha Keirys | A♭ Major | 6 | 4B | 99 BPM | ||
| Loveless | 4hero, Ursula Rucker | B♭ Minor | 5 | 3A | 158 BPM | ||
| Resurrection Blues | Cassandra Wilson | C Major | 2 | 8B | 124 BPM | ||
| Travel | Meshell Ndegeocello | D Minor | 6 | 7A | 110 BPM | ||
| Tony Wood | Tony Allen, Kuku | F Minor | 9 | 4A | 160 BPM | ||
| Miguel | Carl Hancock Rux | G Minor | 7 | 6A | 127 BPM | ||
| Boom Chick | Terri Lyne Carrington, Christie Dashiell, Christiana Hunte | F♯ Major | 5 | 2B | 176 BPM | ||
| Calling England Home | Anthony Joseph | A♭ Major | 4 | 4B | 152 BPM | ||
| Poverty Train | Carl Hancock Rux | F Major | 4 | 7B | 166 BPM | ||
| Dancing Barefoot | MC 900 Ft. Jesus | B Minor | 8 | 10A | 112 BPM | ||
| The Observer | Shabaka and the Ancestors | F Minor | 5 | 4A | 100 BPM | ||
| Sh*t, Damn, Motherf*cker | D'Angelo | B Minor | 3 | 10A | 122 BPM | ||
| My People | EarthWise | D♭ Major | 7 | 3B | 100 BPM | ||
| My Coon Gal | Carl Hancock Rux | B♭ Minor | 4 | 3A | 92 BPM | ||
| Golden Morning | Nostalgia 77 | G Major | 3 | 9B | 149 BPM | ||
| You Might Say | Bugge Wesseltoft | A Minor | 3 | 8A | 174 BPM | ||
| Young Man | Kruder & Dorfmeister | B Minor | 4 | 10A | 152 BPM | ||
| This Is Madness | The Last Poets, Tony Allen | G Major | 7 | 9B | 170 BPM | ||
| Birds | Radio Citizen | B♭ Minor | 9 | 3A | 109 BPM | ||
| Thus Sayeth The Lorde | Meshell Ndegeocello | D♭ Major | 5 | 3B | 97 BPM | ||
| Living Room | David Holmes, Carl Hancock Rux | D Major | 10 | 10B | 135 BPM | ||
| I Thought I Was Dreaming But I Was Not The Only One Who Could Believe It | Dancing the conga | A♭ Major | 6 | 4B | 99 BPM | ||
| Long Ride | Tony Allen | B♭ Minor | 5 | 3A | 172 BPM | ||
| Jazz Is Dead | Adrian Younge, Ali Shaheed Muhammad, The Midnight Hour | G Minor | 6 | 6A | 120 BPM |