Lionel Hampton's 'Now That You're Mine' had a release date set for 2007. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Now That You're Mine's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Complete Victor Lionel Hampton Sessions, Vol. 3". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, Now That You're Mine is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Now That You're Mine by Lionel Hampton having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stompin' At the Savoy | Jimmy Dorsey | C Minor | 7 | 5A | 120 BPM | ||
| Organ Grinder's Swing | Jimmie Lunceford | F Minor | 1 | 4A | 118 BPM | ||
| Leapin' on Lenox | Eddie "Lockjaw" Davis | D♭ Major | 4 | 3B | 120 BPM | ||
| Cosmic Rays | Charlie Parker Quartet | F Major | 2 | 7B | 132 BPM | ||
| The Gal From Joe's | Charlie Barnet | E♭ Major | 6 | 5B | 92 BPM | ||
| Port Of Rico (07-22-52) | Illinois Jacquet | C Major | 2 | 8B | 127 BPM | ||
| That's for Sure | Billy Taylor | D♭ Major | 4 | 3B | 144 BPM | ||
| Jumpin At The Woodside | Lionel Hampton, Stan Getz | F Minor | 4 | 4A | 154 BPM | ||
| The Midnight Sun Will Never Set | Benny Carter | G Minor | 3 | 6A | 72 BPM | ||
| Kinda Blue and Low | Nellie Lutcher | E Minor | 1 | 9A | 85 BPM | ||
| Bizet Has His Day | Les Brown | C Minor | 4 | 5A | 148 BPM | ||
| But Not For Me | Red Garland, Paul Chambers, Art Taylor | B♭ Minor | 2 | 3A | 80 BPM | ||
| Bottom's Up | Illinois Jacquet | D♭ Major | 4 | 3B | 97 BPM | ||
| Don't Blame Me | Sonny Criss | C Minor | 7 | 5A | 120 BPM | ||
| Things Ain't Want They Used To Be | Charlie Barnet & His Orchestra | A♭ Major | 2 | 4B | 79 BPM | ||
| Betsy: Blue Skies | Maxine Sullivan, Frank Newton, Buster Bailey, Pete Brown, Babe Russin, John Kirby, Claude Thornhill, O'Neill Spencer | G Major | 0 | 9B | 138 BPM | ||
| Carson City Stage | Chet Baker Quartet, Russ Freeman | F Minor | 3 | 4A | 145 BPM | ||
| Dallas Blues | Woody Herman & His Orchestra | D♭ Major | 4 | 3B | 183 BPM | ||
| Boogie Blues - 1999 - Remaster | Gene Krupa | E♭ Major | 3 | 5B | 137 BPM | ||
| Blues on Parade | Woody Herman & His Orchestra | D♭ Minor | 4 | 12A | 113 BPM | ||
| Rose Room | Charlie Christian | A♭ Major | 3 | 4B | 146 BPM | ||
| Lil Darlin' | Kai Winding | E Minor | 0 | 9A | 184 BPM | ||
| Bearcat shuffle | Andy Kirk & His 12 clouds of Joy, Andy Kirk | A Minor | 4 | 8A | 155 BPM | ||
| Rain | Red Garland Trio | A♭ Major | 4 | 4B | 94 BPM | ||
| A Taste Of Honey | Lionel Hampton | E Minor | 0 | 9A | 74 BPM |