Rajesh Bisen's ' "Aarti Oaru" was released on its scheduled release date, April 1, 2010. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Aarti Oaru's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Aarti Oaru is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aarti Oaru by Rajesh Bisen is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghanapatham | Challakere Brothers | F Major | 3 | 7B | 143 BPM | ||
| Amritvani 6 | Rajesh Bisen, Pramita | D♭ Major | 4 | 3B | 174 BPM | ||
| Modamodalu | Sri Ganapathy Sachchidananda Swamiji | C Major | 5 | 8B | 109 BPM | ||
| Kayabeku Vaayu Suthane | Anantha Kulkarni | G Major | 7 | 9B | 158 BPM | ||
| Sri Varamukhi Stavam | Bhandhavi | A Major | 2 | 11B | 109 BPM | ||
| Om Namasivaya Namave | Divine Life Society of South Africa | E♭ Minor | 5 | 2A | 90 BPM | ||
| Tuja Pahata Saamori | Ashwini Bhide Deshpande | B Minor | 5 | 10A | 82 BPM | ||
| Aj Aviyo Anand Ang | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Giriraj Ki Sharan Mein | HDH Shri Vrajrajkumarji Mahodayshri | D♭ Major | 5 | 3B | 156 BPM | ||
| Shobhel Sun Tumhala | Madhuri Wilson | F♯ Minor | 5 | 11A | 152 BPM | ||
| Hare Krishna Vol 2 Part 2 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Hey Murali | Udaiyalur Kalyanaraman | F♯ Major | 10 | 2B | 110 BPM | ||
| Adhyayam, Pt. 6 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 132 BPM | ||
| Kalki Stuthi 1 | V. Ramakrishna | F Minor | 2 | 4A | 88 BPM | ||
| Renuka Stotr | Pt. V. K. Vaishampayan | F Major | 5 | 7B | 155 BPM | ||
| Tumri Sewa Ka Vimle | Rajesh Bisen | F♯ Minor | 8 | 11A | 115 BPM | ||
| Jyaa Sukhakarni | Santosh Redakar | F Minor | 7 | 4A | 100 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Sree Gurobe Namoh | Aditi Munshi | C Major | 5 | 8B | 142 BPM | ||
| Vandan Kariye | Satish Dehra, Foram Maheta | B♭ Major | 7 | 6B | 90 BPM | ||
| Tujhe Prem Majhya | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Annapoorna Stotra | Archana Udupa, Nanditha | G Minor | 3 | 6A | 111 BPM | ||
| Ashtothara Shatanama Stotram | Prasath Sai, Prakash Kumar | B♭ Major | 3 | 6B | 88 BPM | ||
| Tu Sukhkarta Tu Dukharta | Firoz Ali | C Major | 7 | 8B | 105 BPM | ||
| Upadrav Raksha Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM |