"O virtus sapientiae (Arr. for Cello & Orchestra by Julian Riem)" by Hildegard von Bingen, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds had its release date on February 3, 2023. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. O virtus sapientiae (Arr. for Cello & Orchestra by Julian Riem)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 33 in Femmes by Raphaela Gromes, Lucerne Festival Strings, Julian Riem, Daniel Dodds. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, O virtus sapientiae (Arr. for Cello & Orchestra by Julian Riem)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O virtus sapientiae (Arr. for Cello & Orchestra by Julian Riem) by Hildegard von Bingen, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
| Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | G Minor | 2 | 6A | 86 BPM | ||
| Gloria Excelsis | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 0 | 10B | 134 BPM | ||
| Sacris solemnis - hymn z uroczystości najświętszego ciała i krwi Chrystusa | Schola Cantorum Gymevensis | C Minor | 1 | 5A | 121 BPM | ||
| 3 Sacred Hymns: 2. Lord Jesus | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | A♭ Major | 3 | 4B | 107 BPM | ||
| Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
| Stella Caritatis Serena | Cistercian Monks of Stift Heiligenkreuz, Gregorian Chant Ensemble, Magna Canta | B♭ Major | 0 | 6B | 135 BPM | ||
| Nivers: Pange lingua gloriosi | Guillaume-Gabriel Nivers, Jean Rondeau, Lucile Richardot | D♭ Major | 1 | 3B | 85 BPM | ||
| Conductus Deus misertus hominis | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Daniela Cermakova, Kamila Mazalová | A Minor | 0 | 8A | 81 BPM | ||
| Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 133 BPM | ||
| Hymn of Kassiane | Saint Vladimir's Seminary Women's Sextet | G Major | 2 | 9B | 101 BPM | ||
| Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 87 BPM | ||
| Σε Υμνούμεν | Χορωδία Ι. Ν. Αγίων Κυρίλλου & Μεθοδίου | A Minor | 0 | 8A | 63 BPM | ||
| Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 72 BPM | ||
| Kyrie | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 76 BPM | ||
| Stella Veritatis | Elaria, Schola Antiqua, Nova Schola Gregoriana, Institute of Christ the King Sovereign Priest | D♭ Minor | 1 | 12A | 119 BPM | ||
| Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
| Saintly Love | Georgy Sviridov, St. Petersburg Optina Pustyn Male Choir | F Major | 1 | 7B | 72 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM | ||
| Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Messe de Notre-Dame: II. Kyrie | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | A Major | 2 | 11B | 135 BPM | ||
| Sicut Cervus Desiderat | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | E♭ Minor | 1 | 2A | 72 BPM | ||
| Beata viscera (monophonic conductus) | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Minor | 1 | 12A | 66 BPM | ||
| Silentium Sacrum | Elaria, Schola Antiqua, Nova Schola Gregoriana, Institute of Christ the King Sovereign Priest | D♭ Minor | 1 | 12A | 71 BPM | ||
| Kyrie, JD 1 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM |