Nicki Parrott's ' "Them There Eyes" was released on its scheduled release date, 2009. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Them There Eyes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 13 in Fly Me To The Moon by Nicki Parrott. In terms of popularity, Them There Eyes is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Them There Eyes by Nicki Parrott is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Are So Beautiful to Me | Katrine Madsen | D♭ Major | 0 | 3B | 97 BPM | ||
| Ashes on the Floor | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM | ||
| He Belonged to the Moon | Miles Laroque | A♭ Major | 1 | 4B | 72 BPM | ||
| Girl from Ipanema | Malene Mortensen | F Major | 2 | 7B | 120 BPM | ||
| Autumn Serenade | The Café Society | C Major | 4 | 8B | 120 BPM | ||
| After Closing Time | The Jazz House | A♭ Major | 2 | 4B | 120 BPM | ||
| On A Slow Boat To China - Live | Ruth Cameron | E♭ Major | 2 | 5B | 71 BPM | ||
| Good Morning Good Day | Timeless Tone | G Minor | 2 | 6A | 116 BPM | ||
| Old Street Cabaret | MEOW JAZZ | A♭ Major | 2 | 4B | 120 BPM | ||
| Let's Try This Again | Sara Gazarek | A♭ Major | 2 | 4B | 115 BPM | ||
| For Me | Sandra Dawn | D♭ Minor | 3 | 12A | 127 BPM | ||
| My Old Flame | Ruth Cameron | D♭ Major | 1 | 3B | 60 BPM | ||
| Don't Be Something You Ain't | Erin Boheme | A Minor | 2 | 8A | 113 BPM | ||
| I Wish You Love (Que Reste-T-Il De Nos Amours ?) | Halie Loren | A Major | 2 | 11B | 83 BPM | ||
| I'm in Love | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | B Minor | 4 | 10A | 78 BPM | ||
| Beast in the Cage | Page-Thompson | D Minor | 2 | 7A | 94 BPM | ||
| Why Should I Care | Viktoria Tolstoy | B♭ Major | 2 | 6B | 60 BPM | ||
| Night and Day | Suss von Ahn | C Major | 2 | 8B | 118 BPM | ||
| Captured in a Song | Zrazy | D Major | 2 | 10B | 117 BPM | ||
| Summer (Estaté) | Carla Cook | A Minor | 2 | 8A | 112 BPM | ||
| A Whiter Shade of Pale | Halie Loren | A Minor | 4 | 8A | 145 BPM | ||
| Cocktails for Two | Bria Skonberg | B♭ Major | 3 | 6B | 126 BPM | ||
| Embraceable You | Lisa Lovbrand | C Major | 1 | 8B | 72 BPM | ||
| No More Blues | Roberta Gambarini | B♭ Major | 1 | 6B | 140 BPM | ||
| I've Got You Under My Skin | Alexis Cole | A♭ Major | 4 | 4B | 114 BPM |