"Fromm Variations (31 Variations For Piano): Variation VI" by Ralph Shapey, Robert Black had its release date on January 1, 2007. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Ralph Shapey: Radical Traditionalism". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Fromm Variations (31 Variations For Piano): Variation VI's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fromm Variations (31 Variations For Piano): Variation VI by Ralph Shapey, Robert Black having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Looking Glass | Suno AI, Suno AI v3.5, Prompt by: Manny Ramirez, Synthetic Society | C Minor | 2 | 5A | 135 BPM | ||
| Variations for Orchestra, Op. 31: Variation V. Bewegt | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 3 | 4B | 84 BPM | ||
| Lyric Suite: III. Allegro misterioso - Trio estatico | Alban Berg, Leonkoro Quartet | G Major | 1 | 9B | 77 BPM | ||
| Symphony No. 4, Op. 60 "Symphonie Concertante": III. Allegro non troppo, ma agitato ad ausioso | Karol Szymanowski, Szymon Nehring, Polish National Radio Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 77 BPM | ||
| Chamber Concerto: III. — | Robert Erickson, Various Artists, Ralph Shapey | B Major | 0 | 1B | 104 BPM | ||
| 7 Haikus: V. Poco mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 1 | John Cage, Boris Berman | D Minor | 0 | 7A | 127 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | G Major | 1 | 9B | 77 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 1a, Prelude in C Major | Dmitri Shostakovich, Sofia Sacco | C Major | 0 | 8B | 86 BPM | ||
| Presto in C Minor, H.230 Wq.114/3 | Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol Gabetta | D♭ Major | 0 | 3B | 146 BPM | ||
| Stellar Voice | Astrid Voix | G Major | 1 | 9B | 77 BPM | ||
| Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
| Savory Delights | Estoria | B♭ Major | 3 | 6B | 176 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | G Major | 1 | 9B | 77 BPM | ||
| Impression de lièvre | Christian Schittenhelm, Peter Jablonski | G Minor | 2 | 6A | 135 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Void Pulse | Astrid Voix | G Major | 1 | 9B | 77 BPM | ||
| Castillo Interior: Allegro [Fig. 11] | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Verklärte Nacht, Op. 4 - Version for String Sextet: I. Sehr langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | C Minor | 1 | 5A | 85 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | G Major | 1 | 9B | 77 BPM | ||
| Seven Set Pieces: IV. Allegretto - Grotesco "Grotesque" | Francis Thorne, Contemporary Chamber Players Of The University Of Chicago, Ralph Shapey | A♭ Major | 3 | 4B | 75 BPM |