Swati Mishra, Mohit Musik's 'Aaye Gaye Raghunandan' had a release date set for January 13, 2025. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Aaye Gaye Raghunandan and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Aaye Gaye Raghunandan is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Aaye Gaye Raghunandan by Swati Mishra, Mohit Musik is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shri Santoshimata | Viniti Singh | D Major | 6 | 10B | 95 BPM | ||
| Mora Sai Pyara | Siddharth Mohan | A Major | 7 | 11B | 76 BPM | ||
| Mahavir Vandana | Gaurav Jain, Deepshikha Jain, Dr. Hukamchand Bharill | E♭ Major | 3 | 5B | 110 BPM | ||
| Jai Jai Ambe Maa | Navin Tripathi, Gul Saxena, Navin-Manish | F Major | 5 | 7B | 90 BPM | ||
| Main Tere Dware Pe Lofi | Swati Mishra, DJ Harshit Shah, DJ MHD IND | E Minor | 6 | 9A | 82 BPM | ||
| Koi Sunta Hai Guru Gyani | Kabir Bhajan | G Major | 5 | 9B | 138 BPM | ||
| Jiski Lagi Re Lagan Bhagwan Mein | Ritesh Mishra | E Major | 7 | 12B | 82 BPM | ||
| Nagar Kot Ki Javala Mata | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Payoji Maine Sai Ratan | Paras Jain | C Minor | 7 | 5A | 81 BPM | ||
| Nanya Spriha Raghupathe | Ramakrishna Math, Monks of the Ramakrishna Order | C Major | 2 | 8B | 84 BPM | ||
| Thumak Thumak Manki Nache Re | Anoopam Mission, Sachin Limye | E♭ Major | 6 | 5B | 86 BPM | ||
| Radha Vallabh Ki Aankhiya Jado Kar Gayi | Manish Chauhan | D♭ Major | 9 | 3B | 105 BPM | ||
| Pankhida - Navratri Special | Swati Mishra | D Major | 8 | 10B | 120 BPM | ||
| Shree Ramchandra Kripalu Bhajman | Kavita Raam | F♯ Major | 5 | 2B | 180 BPM | ||
| Pashu Pakshi Tak Kaise Samajhte Hai Ram Ki Bhasha | Kumar Vishwas | E♭ Minor | 3 | 2A | 88 BPM | ||
| Ram Aayenge (Cover) | Swati Mishra | E Major | 2 | 12B | 181 BPM | ||
| Jo Prem Gali Me Aaye Nahi LOFI | Swati Mishra, RT Beats | D Minor | 7 | 7A | 133 BPM | ||
| Baaki Tu Jaane | Sandeep Bansal | D♭ Major | 8 | 3B | 82 BPM | ||
| Bajrang Baan Bullet | Kunal Mishra, Mohit Musik | D Major | 10 | 10B | 142 BPM | ||
| Man Re Tan Kagad Ka Putla | Susmita Das | G Major | 5 | 9B | 88 BPM | ||
| Bhar Bhar Ke Chhitwan Me | Riza Khan, Bali Thakre | F♯ Major | 8 | 2B | 95 BPM | ||
| Man Se Banyihe Re Maliya | Gopal Rai | B♭ Minor | 9 | 3A | 134 BPM | ||
| Nakoda Darbar Mein | Vaibhav Bagmar Balotra | F Minor | 7 | 4A | 110 BPM | ||
| Radhe Radhe Bol Mann | Swati Mishra, Mohit Musik | E Minor | 3 | 9A | 110 BPM | ||
| Bhajan Kar Mani Ram | Madan Gopal | B♭ Minor | 7 | 3A | 128 BPM |