On January 1, 1998, the song "The Army Gave My Husband Back" was released by Ruth Wallis. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. The Army Gave My Husband Back's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 19 in Boobs by Ruth Wallis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Army Gave My Husband Back's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Army Gave My Husband Back by Ruth Wallis is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Always Hurt The One You Love | Spike Jones & His City Slickers | E♭ Major | 4 | 5B | 76 BPM | ||
| Button up Your Overcoat | Baltimore Bell-Hops | G Major | 4 | 9B | 192 BPM | ||
| Shoo Shoo Boogie Boo | Ethel Waters | B♭ Major | 1 | 6B | 163 BPM | ||
| The Money Tree | Patience & Prudence, Mark McIntyre Orchestra | B♭ Major | 1 | 6B | 163 BPM | ||
| Sly Cigarette | Tiny Tim, Brave Combo | F Minor | 4 | 4A | 83 BPM | ||
| Button Up Your Overcoat | Helen Kane | B♭ Major | 1 | 6B | 163 BPM | ||
| He'd Rather Be A Girl | Ruth Wallis | B♭ Major | 3 | 6B | 140 BPM | ||
| I'm a Jazz Vampire | Marion Harris | B♭ Major | 1 | 6B | 163 BPM | ||
| A Bicycle Built for Two (Daisy Bell) | The Modernaires, Paula Kelly, Hal Dickinson, Ralph Brewster, Fran Scott, Johnny Drake, Bill Stegmeyer, Mike Carrano, Bob Haggart, Johnny Blowers, Carl Kress | F Major | 2 | 7B | 197 BPM | ||
| I Ain't Got Nobody | Ruth Etting | B♭ Major | 1 | 6B | 163 BPM | ||
| I'm Late | Danny Kaye | F Major | 5 | 7B | 169 BPM | ||
| Mama Said | White Ghost Shivers | B♭ Minor | 5 | 3A | 114 BPM | ||
| Count Your Blessing and Smile | George Formby, Harry Gifford, Federick Cliffe | D♭ Major | 3 | 3B | 180 BPM | ||
| I'd Rather Be Blue Over You | Fanny Brice | D Major | 1 | 10B | 71 BPM | ||
| Whispering sweet nothings into your gaping arsehole | Untraceable Records | A Minor | 8 | 8A | 173 BPM | ||
| You Call It Madness (But I Call It Love) | Russ Columbo and His Orchestra | F Major | 0 | 7B | 81 BPM | ||
| You're the Cream in My Coffee | Ruth Etting | B♭ Major | 1 | 6B | 163 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Come Josephine in My Flying Machine | Billy Murray | B♭ Major | 1 | 6B | 163 BPM | ||
| We Will All Go Together When We Go | Tom Lehrer | B♭ Major | 1 | 6B | 163 BPM | ||
| Mean to Me | Annette Hanshaw | C Major | 1 | 8B | 145 BPM | ||
| Hello My Baby, Hello My Honey | Keefe Brasselle | F Major | 3 | 7B | 175 BPM | ||
| Put the Blame on Mame (Slow Version) | Rita Hayworth | B♭ Major | 1 | 6B | 163 BPM | ||
| The American Plan | Ruth Wallis | A Minor | 4 | 8A | 142 BPM | ||
| My Pussy Belongs to Daddy - Remastered | Fay Richmonde | G Minor | 2 | 6A | 80 BPM |