Toshihiko Sahashi's 'APPAREL' had a release date set for November 20, 1999. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "THE Big-O Original Sound Score". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Japan. In terms of popularity, APPAREL is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With APPAREL by Toshihiko Sahashi having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 勇気の滑空 | Toshihiko Sahashi | D♭ Major | 5 | 3B | 174 BPM | ||
| レオン・ガロ召還 | 岡部啓一 (MONACA) | D Minor | 10 | 7A | 158 BPM | ||
| SCRAMBLE | Kenji Kawai | B♭ Major | 8 | 6B | 145 BPM | ||
| Action!! | YU-KI | B♭ Major | 7 | 6B | 85 BPM | ||
| Resolution | Romantic Mode | D♭ Major | 8 | 3B | 110 BPM | ||
| ナイトヘーレ開門 | 斉藤恒芳 | G Major | 5 | 9B | 101 BPM | ||
| Ando | 渡辺岳夫 | B♭ Major | 5 | 6B | 125 BPM | ||
| Kikan [M-7] | Kohei Tanaka | E♭ Major | 6 | 5B | 154 BPM | ||
| ETERNAL WIND ~ほほえみは光る風の中~ | Hiroko Moriguchi | F Major | 5 | 7B | 184 BPM | ||
| 始動 鎧武 | 山下康介 | A♭ Major | 9 | 4B | 158 BPM | ||
| Final shore ~ おお、再臨ありやと | Yoko Kanno | F Major | 2 | 7B | 78 BPM | ||
| 聖戦士たち | 坪能克裕 | C Major | 6 | 8B | 152 BPM | ||
| グレート・ダッシュ!! | 露湖藻雷蔵, 海蔵 | C Major | 9 | 8B | 173 BPM | ||
| With the World's Future at Stake | Falcom Sound Team jdk | F Major | 7 | 7B | 167 BPM | ||
| 戦士〜空我(M-13) | 佐橋俊彦 | C Major | 9 | 8B | 138 BPM | ||
| The Way We Wanna Go | Takashi Ohmama | B♭ Major | 4 | 6B | 107 BPM | ||
| LAST IMPRESSION | TWO-MIX | E Minor | 9 | 9A | 135 BPM | ||
| 黒い波動 | Toshihiko Sahashi | D♭ Major | 8 | 3B | 66 BPM | ||
| 疾走のアクセル | 中川幸太郎, 鳴瀬 シュウヘイ | A♭ Major | 9 | 4B | 155 BPM | ||
| オデッサの激戦 M-5 | 渡辺岳夫 | F Major | 4 | 7B | 116 BPM | ||
| DEVIL’S HEAVEN - Remastered2020 Instrumental Version | 大谷 幸 | B♭ Minor | 9 | 3A | 154 BPM | ||
| 未知なる空間を進むヤマト | 宮川 泰, シンフォニック・オーケストラ・ヤマト | A Minor | 7 | 8A | 85 BPM | ||
| 熾烈な戦い | Toshihiko Sahashi | D♭ Major | 8 | 3B | 106 BPM | ||
| Suspense (2nd Movement: Shinobi-kuru Kaze no Hamon) | London Symphony Orchestra, Toshihiko Sahashi | G Minor | 2 | 6A | 136 BPM | ||
| MOBILE SUIT GUNDAM THE ORIGIN Main Theme | Takayuki Hattori | B♭ Major | 7 | 6B | 96 BPM |