Taizé's 'Oculi nostri - Instrumental' had a release date set for May 13, 2022. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Taizé, Vol. 4 (Instrumental)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Oculi nostri - Instrumental's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oculi nostri - Instrumental by Taizé having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lascia Ch'io Pianga | George Frideric Handel, Alan Coady, Ian Anderson | D Major | 1 | 10B | 144 BPM | ||
| Complete in Thee | Melodías Eternas | E Minor | 7 | 9A | 130 BPM | ||
| Carmen: Act III, Entr’acte - Arranged for Flute and Piano by Anete Toča | Georges Bizet, Anete Toča, Mārtiņš Zilberts | F Major | 0 | 7B | 79 BPM | ||
| Stillness at Dawn | Mike McKee, Georg Dybowski | C Major | 1 | 8B | 77 BPM | ||
| Hineni | Helge Burggrabe, Elbcanto | E Major | 2 | 12B | 148 BPM | ||
| Hush, Hush, My Cubs | Latvian Traditional, Anda Eglīte | G Major | 0 | 9B | 71 BPM | ||
| Ik Zag Een Nieuwe Hemel Zich Verheffen | Rianne van Roon | D Minor | 1 | 7A | 93 BPM | ||
| Noctis Serenitas | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | E♭ Major | 2 | 5B | 95 BPM | ||
| Messa sesta pro defunctis: II. Te decet hymnus - Kyrie | Ignatio Donati, Gruppo madrigalistico del Conservatorio di Como, Schola cantorum del Conservatorio di Como, Antonio Eros Negri, Coro Polifonico del Conservatorio di Como | F Major | 3 | 7B | 81 BPM | ||
| Melodies of the Upper Worlds (Arr. M. Ayrapetyan for Piano): VI. Passover Meal | Baal HaSulam, Mikael Ayrapetyan | D Minor | 2 | 7A | 95 BPM | ||
| Toselli : Serenade | add_P Project | C Major | 1 | 8B | 144 BPM | ||
| Jesu, Rex admirabilis | Chorale Laetare | C Major | 1 | 8B | 165 BPM | ||
| Oh du mein Gott | Helge Burggrabe, Elbcanto | D Major | 1 | 10B | 110 BPM | ||
| Arioso From Cantata #156 - Js Bach | Sherill Roberts | G Major | 1 | 9B | 99 BPM | ||
| Au cœur de l'étoile | Valérie Milot, Denis Gougeon | A Minor | 0 | 8A | 98 BPM | ||
| In Our Darkness | The Scottish Festival Singers | B Minor | 2 | 10A | 83 BPM | ||
| Peace true peace | The Choir from Our Lady of Medjugorje | A Major | 4 | 11B | 166 BPM | ||
| Zu wem solln wir gehen | Choralchor der St.-Johannis-Kantorei Rostock | F♯ Minor | 2 | 11A | 78 BPM | ||
| The Lord's My Light | Andrey Jackson | B Major | 0 | 1B | 72 BPM | ||
| Liebster Jesu, Wir Sind Hier | Kirchenchor Waldorf | F Major | 2 | 7B | 135 BPM | ||
| C'est toi ma lampe | Taizé | F Major | 1 | 7B | 73 BPM | ||
| Jubelt und freut euch - Juich en verheug je | Ateliers Et Presses De Taizé, Taizé | D Minor | 2 | 7A | 86 BPM | ||
| The Notebook (Instrumental Version) | Ivy Ravenwood | G Major | 0 | 9B | 67 BPM | ||
| Laudate Dominum | Jacques Berthier, Taizé | A Minor | 3 | 8A | 115 BPM | ||
| Melodies of the Upper Worlds (Arr. M. Ayrapetyan for Piano): XIV. Consecration | Baal HaSulam, Mikael Ayrapetyan | D Minor | 0 | 7A | 74 BPM |