Ruth Brown's ' "St. Louis Blues" was released on its scheduled release date, January 1, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 9 in Blues On Broadway by Ruth Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. St. Louis Blues is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of St. Louis Blues by Ruth Brown is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Evil Woman | Champion Jack Dupree | C Major | 3 | 8B | 114 BPM | ||
| Do I Need You | Ann Peebles | A♭ Minor | 3 | 1A | 85 BPM | ||
| Cadillac Boogie | Jimmy Liggins and His Drops Of Joy | F♯ Major | 4 | 2B | 84 BPM | ||
| 450 Pound Woman | Floyd Dixon | C Major | 7 | 8B | 70 BPM | ||
| Safronia B | Calvin Boze and His All Stars | A♭ Major | 5 | 4B | 168 BPM | ||
| Tweedle Dee | LaVern Baker | E Major | 8 | 12B | 109 BPM | ||
| DON’T MESS WITH MY MAN | Irma Thomas | E♭ Major | 7 | 5B | 63 BPM | ||
| Enough for Everybody | Betty Bibbs | A Major | 5 | 11B | 112 BPM | ||
| Nobody's Fault But Mine | Sister Rosetta Tharpe | C Minor | 2 | 5A | 99 BPM | ||
| Let the Daddy Hold You | Otis Blackwell & His Band | C Minor | 5 | 5A | 152 BPM | ||
| Bloodshot Eyes | Wynonie Harris | E♭ Major | 6 | 5B | 88 BPM | ||
| Hello Little Boy | Ruth Brown | B♭ Minor | 8 | 3A | 139 BPM | ||
| I Feel So Good | J.B. Lenoir | B Minor | 6 | 10A | 130 BPM | ||
| Blue Prelude | Koko Taylor | E♭ Minor | 2 | 2A | 93 BPM | ||
| No More Doggin' | Rosco Gordon | A♭ Major | 5 | 4B | 104 BPM | ||
| I Got Myself A Workin' Man | Alberta Hunter | B♭ Major | 3 | 6B | 81 BPM | ||
| Daddy Daddy | Ruth Brown | A♭ Major | 4 | 4B | 139 BPM | ||
| I Still Care | Sugar Pie DeSanto | G Minor | 4 | 6A | 93 BPM | ||
| Come-On-A-My House | Della Reese | F Minor | 5 | 4A | 141 BPM | ||
| Oh, I'm evil | Una Mae Carlisle | C Major | 2 | 8B | 121 BPM | ||
| Baby, What You Want Me To Do | Jimmy Reed | A Major | 4 | 11B | 95 BPM | ||
| Good To Me | Irma Thomas | A♭ Major | 2 | 4B | 133 BPM | ||
| My Babe | Little Walter | F Major | 3 | 7B | 158 BPM | ||
| Love, Life And Money | Little Willie John | B♭ Minor | 5 | 3A | 138 BPM | ||
| Let the Good Times Roll | Earl King | A Major | 5 | 11B | 72 BPM |