Poonam Mishra's ' "Bar Re Jatan" was released on its scheduled release date, June 20, 2023. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. Because this song is the only song in Bar Re Jatan and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Bar Re Jatan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bar Re Jatan by Poonam Mishra is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dub Dub Jaave | Master Saleem | D♭ Major | 8 | 3B | 138 BPM | ||
| Dulha Sindoor Liyau Hath | Poonam Mishra | A♭ Major | 8 | 4B | 150 BPM | ||
| Hari - Hari Dubhiya (Chumawan) | Sharda Sinha | F♯ Major | 4 | 2B | 83 BPM | ||
| Jay Kali Maiya Ho | Vinod Bawali, Poonam Mishra | C Minor | 10 | 5A | 126 BPM | ||
| Hum Nahin Aaaju Rahab Aehi Aangan | Devi | B♭ Major | 6 | 6B | 110 BPM | ||
| Doorangalaliyichu | Umbayee | A♭ Minor | 6 | 1A | 85 BPM | ||
| Tutal Fatak Madeya | Poonam Mishra | A Major | 4 | 11B | 200 BPM | ||
| Aet Ke Jhumka Nai Pahirab | Poonam Mishra | B♭ Minor | 7 | 3A | 150 BPM | ||
| Aadhi Raat Ko Aaye Balam | Diwakar Dwivedi | D♭ Major | 6 | 3B | 154 BPM | ||
| Diyawa Ta Jarela Ae Maiya | Pawan Singh | F Major | 9 | 7B | 88 BPM | ||
| Jaan Mora Robo Hi Hichak Ke | Aashish Yadav | F Major | 7 | 7B | 130 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Lagan | Aashish Yadav, Shweta Sargam | A Major | 3 | 11B | 62 BPM | ||
| Swami Ho Swami | Mahesh Kale, Chintamani Sohoni | D Major | 8 | 10B | 109 BPM | ||
| Phali Phali | Dinesh Lal Yadav, Pawan Singh, Kalpana Patowary, Madhukar Anand, Mohan Rathore | E Minor | 6 | 9A | 91 BPM | ||
| Kalya Ghodyache Pay Vaje | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Aevi Rudine Rupali | Kanu Patel | D Major | 7 | 10B | 127 BPM | ||
| Devghar Jaiba Jalva Dharba | Pawan Singh | A Minor | 6 | 8A | 83 BPM | ||
| Sahajanand Sindhu Re | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 84 BPM | ||
| Ya Ga Suvasini Sajani Ya - Sant Balumama | Shakuntala Jadhav | B Major | 4 | 1B | 88 BPM | ||
| Dhanma Kutau Charu Barwa Se | Poonam Mishra | B♭ Major | 6 | 6B | 147 BPM | ||
| Maar Deb Goli Kehu Na Boli | Radhe Shyam Rasiya, Indu Sonali | B♭ Minor | 8 | 3A | 159 BPM | ||
| Maliya Ke Betwa | Poonam Mishra | B♭ Minor | 7 | 3A | 150 BPM | ||
| He Ram Japdai Timro | Bala Bhattarai | F Major | 5 | 7B | 81 BPM | ||
| Tuljabhavani Kulswamini | Sunny Nair | D♭ Minor | 8 | 12A | 171 BPM |